Handwriting Compilation v, W, X, and Y

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This program is designed to provide general
information with regards to the subject matters covered.

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services of competent professionals before applying or
trying any suggested ideas. Good morning,

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True seekers and true crime junkies.
Welcome back to another episode of Hit the

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Road Jack Finding the Zodiac Today.
I am here with Nolan del Campo again

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as we cover the handwriting presentation.
We're close to the end, you guys,

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I know you've been sticking it out
with me. We are at the

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v's, or at least that's where
we left off last week. Let's go

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ahead and welcome in Nolan. Good
morning. All right, we're getting there.

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We're at the VS. That means
just a few more letters, will

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do some punctuation, and be back
to the zodiac cases, which we'll be

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exciting. Last week we left off
on the VS and I think I still

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had just a few of them to
cover to go over, so I'm going

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to step back into that. If
you don't mind, we'll go full screen.

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So basically we're talking about the construction
of vs that Jack has, and

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he has some very angular VIS.
He tends to uplift the right arm of

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that V very high into the air, typically towards the right, and it

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is much taller than the left arm
of that V. Now, as we

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traveled down some of his VS,
we can see that he does have some

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curvatures in it. Off to the
right. Here, here's more of that

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visualization. This one seems to be
a little bled out on the top portion,

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but we can see that curvature in
that right arm, but it is

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still much taller than the left side. He also tends to have a right

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word lean on that V in many
cases. And then we climb on over

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into what looks like a horseshoe you
instead of an actual V, but the

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criss crosses. Like we spoke about
last week, with his US, he

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has some V shaped US and with
his VS, he has some U shaped

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VS. So keeping that in mind, we're going to go through the rest

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of the VS from where we stopped
last time. So looking back at the

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black Dahlia, we see this very
blunt V, very heavy inked V.

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We see that a lot throughout these, especially in the Sacramento Letter, in

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the Scorpion Letters, and in the
John ben A. Ramsey letters. We

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did see some of the heavier inked
vs, but they were more copybook.

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In the Zodiac Killer, but we
can see that he does move back and

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forth in the Zodiac between U shaped
and V shaped. Not to mention this

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particular one here that has a thin
left arm a right side that is not

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necessarily complete, but we can see
that the ink is much thicker and stop

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short of the completion of that arm, and that I found was consistent with

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Sherry Joe Bates. The overall appearance
is pretty much the same in the Fairfield

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letter we had. I almost refer
to him as a bird shaped V,

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because he has used a curvature on
both sides, and in doing so,

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it gives you that appearance of a
hand drawn bird on a piece of paper.

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Now, when I looked at those, I started to find those in

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other places, such as the Voinovich
letter in Let's see, we found that

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in the dB Cooper. I'm also
going to refer to it kind of as

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a check mark V, because it
kind of looks more like a check mark

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than it does, wouldn't you say, Nolan, Yes. So the check

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mark V is something that is very
very consistent throughout as well, and we

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see that in the dB Cooper letters. Here we can also see where these

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actually cross reference to again these down
here in Guinovic with that check mark appearance

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because the right hand side is curved
over. We also have what I refer

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to as the very tall copybook V. Once again that one is consistent throughout.

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So evidently one of the disguises for
the V is making it look extremely

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tall and skinny. And we can
see that between the lipstick killer we found

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it in the Sorry Mary letter.
Let's see the dear What's yes? Yes,

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absolutely in the scorpion right there,
Anthrax contained one, Tim Miller's letter

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contained one. We found him in
the Albany, New York letter, and

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the Dear draft Board letter also had
a version of it. But it does

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have a slight curvature, as we
were talking about with some of these other

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ones, so it's almost as if
he is manipulating it in the opposite direction

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of his normal. Of course,
in order to make that attempted disguise.

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The Zodiac Killer had both the U
shaped vs along with the copybook vs and

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these very small vs. We're going
to see these as well throughout. Let's

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see where I found some of those. I found him in the Scorpion letters.

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I found him in the Sacramento letter. I found it in the Vuinovic

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letter. These ones are are smaller
obviously than the more tall skinny one,

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but again relative obviously in shape size. And of course the dB Cooper letter

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again also used that very tall V. And then we had a square shaped

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V, which I don't think I've
ever tried to imagine doing square writing.

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But I don't know that in square
writing you would actually make the V.

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What do you think, Nolan,
that's odd. Let's let's get a little

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waste basket, right. I think
that in square writing you probably wouldn't have

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manipulated that letter at all. You
would have kept it in its natural form,

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because, like you said, you
change the appearance of what that letter

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is by making that bottom portion squared
off either way. As we move on

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through Albany, New York, we
had again those tall skinny vs like we

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had in Lipstick Killer. In fact, the impression of those are very very

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similar to Lipstick and one U shape
V was found, and that U shape

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V has that curvature on the right
hand side that we see Jack carries up

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there. And in the Citizen letter
we had primarily these rounded, more rounded

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shaped vs. But we can again
see that these are extremely consistent with Jack's,

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which is why they're marked in blue. Channel nine newsletter had both the

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small vs, the tall skinny V, and then more of an angular base.

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But just remember, everybody, everything
that is marked with a star,

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oops, that star is supposed to
be on the Zodiac Killer. Everything that

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is marked with a star is actually
written by the Zodiac has already been confirmed

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by Department of Justice handwriting experts.
So realistically speaking, I am merely and

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I've made the identification between Jack and
the Zodiac Killers. So I am just

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looking at other letters in other series
of crimes or serial killings across the United

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States and the communications that accompanied those
crimes, and how those disguises actually match

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up to those other letters. So
climbing into the OCCK, we can see

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the use of both the horseshoe and
again that horseshoe shaped you right there is

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consistent with many of the other horseshoe
shape us that we're finding in Like so

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say over here in Albany, New
York. We've got that curvature on the

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right side. We do see that
the right arm of these vs. I'm

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sorry I called it to you,
the right side of these vs are actually

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again taller than the left side.
And then it moves into angular VS.

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So again we're seeing this flip flop
back and forth between the use of both

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styles. In the Herb Kane,
we had that very short V that we

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just got done talking about, and
we see it again in Herb Kane with

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a more rounded version over here on
the right hand side. And that leads

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us right on into Atlanta, Georgia, where once we talked about that small

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V and then we talked about the
tall, skinny V again another very similar

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appearance to the Albany letter to the
Lipstick Killer letters. The Atlanta Georgia.

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We could see that he was heavily
manipulating or attempting to disguise his VS.

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We see all of these extracurricular tremors. This one almost appears more like a

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W than it does a V.
But that just lends us to the fact

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that he is manipulating and disguising his
handwriting. And of course we do have

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one good solid V out of that
that again is consistent with other vs,

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such as in the Zodiac's Realm.
The Sacramento letter in nineteen eighty six again

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had the smaller VS. But we
had that thick, heavy appearance of the

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V, which is probably attributed to
the pen that the individual used, which

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we know Zodiac's favorite pen was a
pilot razor pen, which is a felt

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tip pen, and it can give
me a heavier it leaves heavier amounts of

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ink, So that would be likely
as to why we're seeing these being so

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thick and almost fuzzy or muddy.
Moving into the Scorpion letters, as an

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Orlan had stated, we have the
V that is the copybook V that was

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used both in Zodiac and many other
of the communications. But then we get

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down the into these vs again that
look extremely similar to the Sacramento letter.

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This one right here is just pretty
much dead on in my mind about size

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shapes, slant thickness. Of course, again it appears the same type of

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utensil was used or pen was used. And then we have the smaller vs.

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The more shorter vs that we saw
over here in Atlanta, Georgia.

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John Benny Ramsey was full of the
check mark v's so that we spoke about

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obviously up here earlier on in the
dB Cooper. But when we get over

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into the to the to the end
of the letter per se, we start

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to see these ones with curvatures both
on the left and right hand side of

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the arms. And again that is
consistent with the curvatures that we saw on

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the dear draft board in the attempt
to make that curve. That curve as

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a disguise in the Fairfield letter,
so it is a continuing disguise. We

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also see a very strict angular V, but we also see a U shaped

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V so again and that one is
very consistent with Jack's U s a t

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v's. Once again, the John
Benet looks like a three year old wrote

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them, never right, Yeah,
that that shakiness, I mean, obviously.

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And when I when I think of
a three year old, I mean

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I think of somebody scribbling and it's
not really legible writing. When I think

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of someone beginning to write, says
my granddaughter, who is um she's now

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in first grade, so she's been
writing for a couple of years now.

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But when she started writing, we
had more or less the circle. The

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round of the circle was round,
it wasn't tremorous or full of tremors.

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And looking to me, this is
almost like somebody who has deteriorated handwriting,

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or somebody who is suffering from some
type of outside influence or neurological disease where

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it causes indo shape. Right.
Um, So, so while the dog

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my granddaughter was performing, you know
these letters they were literally round, and

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they might not be perfectly round,
but they were around and they were minus

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tremor. So I look at it
a little bit. I suppose in some

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cases, when we look at bad
handwriting or handwriting that doesn't seem to be

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as well developed or mature, one
could say that that's a childlike writing.

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For sure. I do look at
some adults handwriting who haven't practiced it heavily

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through their life, and it does
look like they have fourth or fifth grade

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writing. So, carrying on with
Buenovic again, we talked about the check

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mark vs. Those are present.
We also talked about the vs with the

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curved right side. Those are present. And we also have the small vs

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that we see such as in Anthrax, which also contains that tall V.

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Again, just like I mean that
one while it is slanted to the right

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just a tiny bit. It is
just the form, the shape and the

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spacing between the two arms are just
very very consistent with one another. When

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I moved into tom Voy, no
surprise, we had both U shaped vs

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and the angular shaped vs, and
they all lean pretty much to the right

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as we see, which is consistent
with what we see in Jack's handwriting.

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We already spoke about Tim Miller.
We had the small vs and the tall

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skinny V. And then in the
Bruce Ivans we had again these d U

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shaped vs that aren't finished off on
the right hand side, and that just

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took me back up to here in
Sherry Joe Bates and in the Zodiac Killers

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vs. Where it's leaned to the
right and he just basically doesn't finish that

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right hand bar. And then we
had almost what looked like again that squiggliness

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that Nolan was talking about in regards
to childlike writing. That was more consistent

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with John Benny Ramsey in the last
V from Bruce Ivans, but we can't

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see that the right arm again is
still taller than the left. Now,

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a lot of people actually do this, So when I talk about these particular

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perceptions of letters, a lot of
people may have the right side taller than

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the left side, but then the
form may be different. So I'm not

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just stating that the right side being
taller than the left side is what makes

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it an identification or a match to
Jack. It just means that it is

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not dissimilar, and it is within
the realm of what Jack is doing.

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And I want to remind everybody that
as I'm going through these and talking about

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the shapes that are consistent within the
disguised writing, doesn't necessarily mean that Jack

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is the author of them either,
but I do believe that he should be

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investigated for those crimes along with the
Zodiac killer cases. All right, moving

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on to the ws. The w's
kind of have I mean, as we

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go through them, we can kind
of see what's going on the differences between

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Jack's. He tends to have the
first V shape of the W on the

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left hand side tends to be angular, and then as he moves to the

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right V shape, it is actually
more rounded. And we can see that

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clear here where there's an angularity,
and then this right one is actually more

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rounded off. And as we go
through we can see he has some fat,

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short, rounded ones, and I
pay attention to the way this mid

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section rises, the direction in which
it points, and how these endings of

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the W on the left and right
are the beginning and the ending of the

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w arms on the left and right
side actually meet up to that midsection,

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and we're going to talk about that. In some of these disguises. Here

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again you can see the left angular
side, the rounded right side this one.

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I found a lot of those throughout
the communications. And then we move

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into again some more well rounded ws. And then I pointed out this little

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curly queue that he has on the
right hand side of the arm. As

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he exits, he kind of draws
inward towards the midsection of the W,

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leaving a slight curly queue, or
sometimes it's just a heavy dot like we

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see up here in that one.
We do see that at times he can

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actually make a loop in the center
of the W. And then we move

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into a few of the more angular
ws that Jack can do. And again

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here's another one with that very angular
left side with a very rounded right side.

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It's such an actually leaning to the
right and pointing towards the right exit

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00:16:10.559 --> 00:16:15.879
arm. We also saw the angular
W which appears to be small as it

206
00:16:15.879 --> 00:16:22.320
begins but then the final exit stroke
of the right side of the arm is

207
00:16:22.679 --> 00:16:26.600
very very high into the sky towards
the right, which is what we've talked

208
00:16:26.600 --> 00:16:30.919
about how he leaves off a lot
of his letters. The right side always

209
00:16:30.960 --> 00:16:34.039
tends to be much taller and longer
than the left side. We have some

210
00:16:34.159 --> 00:16:40.120
just plain old angular, small ws, and then we have some that actually

211
00:16:40.200 --> 00:16:45.039
almost kind of reminded me of him
of his capital letter ends. But these

212
00:16:45.039 --> 00:16:48.639
were definitely w's that I found.
And we can see that these curvatures move

213
00:16:48.720 --> 00:16:52.919
back up. We can see the
heavy period dotting that's up there, and

214
00:16:52.960 --> 00:16:56.240
we can see this heavy curvature in
the right side arm of the W.

215
00:16:56.879 --> 00:17:02.960
So, now moving into lipstick,
lipstick actually had some extremely interesting formations for

216
00:17:03.080 --> 00:17:07.279
their ws. He literally used two
vs crossed them to make the actual W.

217
00:17:07.880 --> 00:17:12.279
And in the second W of the
lipstick killing case, we can see

218
00:17:12.319 --> 00:17:18.240
the curvature of those vs. And
now that was extremely considered consistent with what

219
00:17:18.240 --> 00:17:22.559
we saw back there in regards to
those curved vs in the dear draft board

220
00:17:22.640 --> 00:17:26.799
letters. So he has applied two
vs together, crossing them in the center

221
00:17:26.039 --> 00:17:33.319
and giving it that appearance of two
vs overlapping each other and of course,

222
00:17:33.359 --> 00:17:37.160
I found that in the Timller letter, so right down here at the very

223
00:17:37.200 --> 00:17:41.759
bottom, we can see that he
has used once again that particular version of

224
00:17:41.839 --> 00:17:45.640
two vs. Overlapping each other.
I did not find that to be a

225
00:17:45.680 --> 00:17:52.440
coincidence, because I said the finale
letter contained evidence or some type of clue

226
00:17:52.640 --> 00:17:56.680
that he was responsible for all of
the crimes that we're discussing. So if

227
00:17:56.680 --> 00:18:00.440
that letter is to be taken seriously
and it is true, then I would

228
00:18:00.440 --> 00:18:07.200
suspect that this particular W was the
outlying piece of information that connected it back

229
00:18:07.240 --> 00:18:12.480
to the lipstick killer. When I
moved into the Elizabeth short, I found

230
00:18:12.519 --> 00:18:21.319
that the w's ranged from both angular
and small to rounded bottom humps, which

231
00:18:21.480 --> 00:18:25.359
are consistent as we move back and
forth between Jack's. But we can actually

232
00:18:25.400 --> 00:18:29.839
see in some of these movements the
thinness of those bottom humps of the W

233
00:18:30.119 --> 00:18:34.119
are very consistent with the thinness that
we see in Jack's. And this need

234
00:18:34.200 --> 00:18:40.440
to actually make the angular points of
the W with the bottom so close together

235
00:18:40.519 --> 00:18:47.559
that it gives it kind of a
well, it's very it's hard to explain

236
00:18:47.680 --> 00:18:51.200
that portion of the letter. Let's
just go here, so looking at this

237
00:18:51.240 --> 00:18:52.960
one, we can look over here
at the dB Cooper W. He did

238
00:18:52.960 --> 00:19:00.960
it again here. So basically this
very very small, close together bottom valleys

239
00:19:00.079 --> 00:19:06.279
of the W very close together with
very wide spreading arms. That even then

240
00:19:06.440 --> 00:19:08.960
that wide spreading arm is taller on
the right hand side, and we can

241
00:19:08.960 --> 00:19:12.839
see that that one is much more
consistent with obviously what is going on in

242
00:19:12.920 --> 00:19:18.599
Jack's handwriting in the dear in the
Sorry Mary letter, I found that he

243
00:19:18.680 --> 00:19:23.519
was using almost that four stroke construction
that he used in in the capital letter

244
00:19:23.759 --> 00:19:26.920
M back when we looked at the
MS. But I did find that there

245
00:19:26.920 --> 00:19:36.119
were four stroke construction ws in the
disguised communications. I'm looking for that now.

246
00:19:37.079 --> 00:19:40.839
And of course where the midsection actually
comes all the way up and meets

247
00:19:40.920 --> 00:19:42.759
up and is squared off with the
arms. We're going to see those as

248
00:19:42.799 --> 00:19:48.720
we go through the Werewolf Killer,
the Kern Werewolf Letter. I actually found

249
00:19:48.920 --> 00:19:55.839
that there was not only w's that
had the first bottom hump that was angular,

250
00:19:55.880 --> 00:19:59.400
but the second one that was curved
like we discussed about Jack. And

251
00:19:59.400 --> 00:20:03.799
then I found these extremely strange ones
that look like kind of a roller coaster

252
00:20:03.880 --> 00:20:10.599
ride the way that they are actually
formed. And when I moved down into

253
00:20:10.839 --> 00:20:14.960
let's say the Atlanta Georgia killer.
I found the exact type of construction that

254
00:20:15.079 --> 00:20:18.200
was being used. So again I
just go back to or do we have

255
00:20:18.319 --> 00:20:23.720
multiple serial killers that idealize disguising letters
in the same fashion, or aren't we

256
00:20:23.720 --> 00:20:33.559
really dealing with the same killer over
sixty years. Moving into the right side

257
00:20:33.720 --> 00:20:38.440
of the current letter, we see
more of these shorter ws. But again

258
00:20:38.680 --> 00:20:45.240
we have a the size of the
mid zone and the left and right arm

259
00:20:45.279 --> 00:20:51.200
of the W are actually cappying out, making it look more square and flush.

260
00:20:51.480 --> 00:20:53.519
One is not higher or taller than
the other, but we do see

261
00:20:53.559 --> 00:20:59.200
that that is being used actually in
some things like the Fairfield letter, where

262
00:20:59.359 --> 00:21:02.920
the mid section is just as tall
as the left and right hand side.

263
00:21:02.960 --> 00:21:07.880
So those were consistent from Kern to
Fairfield. We even seeing some of that

264
00:21:07.960 --> 00:21:11.279
happening in the Oswald letters. So
here again we have that first side of

265
00:21:11.319 --> 00:21:15.839
the W that is angular and then
it moves into the curb side. Now

266
00:21:15.880 --> 00:21:22.039
we see that these particular WS that
are found in Oswald are extremely consistent with

267
00:21:22.480 --> 00:21:29.880
not only the Dear Draftboard letters,
the Fairfield letters, Let's see the dB

268
00:21:30.039 --> 00:21:34.160
Cooper letters letterws. All of these
are consistent back and forth. If you

269
00:21:34.319 --> 00:21:41.759
just go back and forth between these
circled ws, and and look at them

270
00:21:41.799 --> 00:21:45.720
moving into the Sherry Joe Bates.
I found this very shallow center. So

271
00:21:45.799 --> 00:21:49.799
the arms are much taller, and
the mid section actually stops very short.

272
00:21:49.920 --> 00:21:53.920
But that is definitely and again that
makes it look kind of like a bird.

273
00:21:55.039 --> 00:21:56.640
Do you see that? Does that
look like a bird to like somebody

274
00:21:56.680 --> 00:22:03.519
wrote up? Yeah, so it's
very shallow. The right and left arms

275
00:22:03.559 --> 00:22:07.079
do not move up, and the
mid section is extremely shallow. And as

276
00:22:07.119 --> 00:22:10.440
we go through many of these will
start to see again in the Dear Draftboard

277
00:22:10.480 --> 00:22:15.119
letter, we have the shallow versions
where the midsection does not rise all the

278
00:22:15.119 --> 00:22:18.799
way up. That is exactly this
guy's he attempts to use when he makes

279
00:22:18.839 --> 00:22:25.079
these copybook ws. Again, very
shallow mid sections, the midsection does not

280
00:22:25.240 --> 00:22:30.400
rise up. We can see in
these other haphazardly written ws that there is

281
00:22:30.480 --> 00:22:34.519
a bit more to that mid section. But we can actually then go back

282
00:22:34.519 --> 00:22:40.240
and see that those are very consistent
with what Jack does, including that long

283
00:22:41.039 --> 00:22:44.960
arm on the right hand side that
veers off. Here's one that's a little

284
00:22:44.960 --> 00:22:48.000
more consistent. Obviously, I felt
with with the W and Jack's writing.

285
00:22:48.720 --> 00:22:52.279
We also found in the Zodiac killer
case, this heavy dotting or this curling

286
00:22:52.319 --> 00:22:56.799
to the inside. We can see
the curling to the inside on this one

287
00:22:56.839 --> 00:23:00.799
in the zodiac as well. And
this shape actually of W found in the

288
00:23:00.880 --> 00:23:03.920
zodiac was very consistent with the shape
that I showed you up here in Jack's

289
00:23:03.920 --> 00:23:10.920
handwriting. So the zodiac writing has
a lot of similarities, including the rounded

290
00:23:10.960 --> 00:23:15.160
shape ws that are similar in form
and shape to what Jack does. The

291
00:23:15.319 --> 00:23:22.160
curve ws look more natural, the
angular ws look faked right right, Yeah,

292
00:23:22.279 --> 00:23:26.920
when he does those they there,
it's definitely he's putting an effort to

293
00:23:26.039 --> 00:23:30.440
make it that straight and that angular, because it looks to me like he

294
00:23:30.640 --> 00:23:36.200
primarily uses more of a if it
is if it does have an angular side,

295
00:23:36.200 --> 00:23:40.200
say like this W over here,
it's more of a rounded angular.

296
00:23:40.480 --> 00:23:44.759
It's not a sharp pointed angular like
we see in that W there. So

297
00:23:44.880 --> 00:23:49.039
and then that right side continues on
into a curve fashion. So his definite

298
00:23:49.119 --> 00:23:52.680
choice, I mean, albeit when
we look through here, primarily he uses

299
00:23:52.720 --> 00:23:57.960
a rounded W, not an angular
B shape. I have a template my

300
00:23:59.039 --> 00:24:04.119
own handwriting, my roster for my
maddened football team. So I'm done fifty

301
00:24:04.119 --> 00:24:10.039
four different names, and my ws
are always curved, and I have the

302
00:24:10.079 --> 00:24:14.079
little book on the right top.
Could you could spot my ws in a

303
00:24:14.160 --> 00:24:18.720
minute. That's what I ask everybody
to do when I talk about how these

304
00:24:18.720 --> 00:24:22.799
things are formed and shaped, I
mean, look at yours and see how

305
00:24:22.839 --> 00:24:26.599
yours differ. The differences that you
find in yours are likely what's going to

306
00:24:26.640 --> 00:24:30.480
cause an exclusion of you as being
the author of these letters. Here,

307
00:24:30.519 --> 00:24:34.279
I'm showing you that all of the
all of what we're talking about is actually

308
00:24:34.319 --> 00:24:38.160
within the range in realm of what
Jack's doing, and the disguised ones are

309
00:24:38.200 --> 00:24:44.640
anticipated disguise because he uses that the
least amount. I mean, I look

310
00:24:44.720 --> 00:24:48.039
at these angular ws. I really
only found about three or four out of

311
00:24:48.119 --> 00:24:52.920
maybe what ten fifteen more than ten
or fifteen ws, but I only found

312
00:24:52.920 --> 00:24:57.559
three or four. So the go
to for him for a disguise would obviously

313
00:24:57.640 --> 00:25:02.880
be this angular notion, because he
doesn't want people to see what he believes

314
00:25:02.960 --> 00:25:08.559
is his normal W, even though
he does actually do these angular strokes himself.

315
00:25:10.200 --> 00:25:15.799
Getting into the dear draft board letter, I founded that the continuation of

316
00:25:15.839 --> 00:25:19.000
the left side being angular, the
right side being curved, and also this

317
00:25:19.119 --> 00:25:23.920
mid section that actually reaches over and
almost touches the right arm of the actual

318
00:25:25.039 --> 00:25:30.359
W is what I was talking about, that particular midsection over here in Jack's

319
00:25:30.400 --> 00:25:34.200
where it actually leans to the right, and then the curvature of the right

320
00:25:34.359 --> 00:25:38.160
arm coming back makes them almost like
they're going to touch up in the center

321
00:25:38.240 --> 00:25:42.079
or complete maybe even an o is
was kind of what was going on in

322
00:25:42.119 --> 00:25:48.960
my mind. But we do see
the rounded, very shallow midsection ws that

323
00:25:48.000 --> 00:25:53.119
we've been talking about. Let's see
here we get into more, even more

324
00:25:53.440 --> 00:25:59.960
shallow w's in the Fairfield letters,
which again are very consistent as we cross

325
00:26:00.200 --> 00:26:04.319
references those back and forth between the
Deer Draft Board. Let's see who else

326
00:26:04.400 --> 00:26:08.759
we had in there. Oh,
Sla also had that very strange roller coaster

327
00:26:10.079 --> 00:26:15.160
you where he made the mid section
rounded instead of a V shape, and

328
00:26:15.359 --> 00:26:21.279
we talked about that in the Atlanta, Georgia letters and in the current letter.

329
00:26:21.400 --> 00:26:25.480
So we see that happening in three
different communications. And now we know

330
00:26:25.559 --> 00:26:29.200
that for sure it is a part
of what's going on in the Zodiac's handwriting,

331
00:26:29.240 --> 00:26:37.440
because the Sla letter was written by
the Zodiac. Let's see the DC

332
00:26:37.640 --> 00:26:44.240
Freeway phantom ws. Now I find
that these ones have the most difference between

333
00:26:44.440 --> 00:26:47.880
any of the other ws that we're
looking at like they to me, they

334
00:26:49.400 --> 00:26:53.880
show it completely not a completely different. But obviously we still have the left

335
00:26:53.880 --> 00:26:57.160
side that is angular, that moves
into the right side that is rounded.

336
00:26:57.200 --> 00:27:02.400
We do have the right side that
is lifted up higher in the air than

337
00:27:02.440 --> 00:27:06.160
the left side, So there are
some consistencies along with that right word lean.

338
00:27:07.039 --> 00:27:10.759
So I circled that more or less
just to say that it does have

339
00:27:10.799 --> 00:27:14.240
some consistency with what was going on. And we did find that many of

340
00:27:14.240 --> 00:27:18.119
the letters in the DC Freeway Phantom
were consistent with the disguised writings. But

341
00:27:18.279 --> 00:27:23.440
I do find that the DC Freeway
Phantom letter has the most dissimilarity in overall

342
00:27:23.480 --> 00:27:29.400
appearance. In dB Cooper, again
we see the square ws. I had

343
00:27:29.480 --> 00:27:32.799
nothing in Jack's realm to be able
to match that, but we did have

344
00:27:32.920 --> 00:27:40.480
this particular W, the very angular
with the very shallow midsection V shaped or

345
00:27:40.559 --> 00:27:45.440
triangle shaped V shaped bottom portion,
which is very consistent with Jack's writing up

346
00:27:45.480 --> 00:27:48.880
here. We also in the dB
Cooper found these rounded ones, these bubbly

347
00:27:48.960 --> 00:27:52.440
rounded ones, which were not only
consistent with the dear draft board, they're

348
00:27:52.440 --> 00:27:56.880
consistent with Jack's As I go through
here, I mean, these are these

349
00:27:56.880 --> 00:28:00.359
are just very consistent with many of
thews that we're looking at. And then

350
00:28:00.400 --> 00:28:04.759
we moved into some that had the
angular portion but then had that curved mid

351
00:28:04.839 --> 00:28:10.559
section, which is what we talked
about going on in the Kern in Atlanta,

352
00:28:10.640 --> 00:28:17.640
Georgia, so we know that his
attempt to disguise includes a rounded midsection

353
00:28:17.720 --> 00:28:22.720
of the W. We had the
shorter angular W that was found. Let's

354
00:28:22.720 --> 00:28:30.000
see it have that one in the
herb Kane letters. So dB Cooper did

355
00:28:30.039 --> 00:28:36.440
have some consistency with the short angular
ws there the Albany, New York.

356
00:28:36.519 --> 00:28:38.920
It goes back and forth. Once
again, we see the rounded w's that

357
00:28:40.000 --> 00:28:45.400
I have notated are consistent with both
the Fairfield letters. It's dB Cooper,

358
00:28:45.440 --> 00:28:49.000
on and on. There's just so
many consistencies. And then we move into

359
00:28:49.039 --> 00:28:53.079
some that are rounded, some that
are angular. The right bar again is

360
00:28:53.119 --> 00:28:59.480
reaching high into the sky. And
then we have the WS that to me

361
00:28:59.519 --> 00:29:04.279
look like an upside down M because
the mid section rises completely to the level

362
00:29:04.359 --> 00:29:08.160
of the left and right arm,
and that is consistent with the Sorry Mary

363
00:29:08.279 --> 00:29:15.440
letters. We already covered us LA. The Citizen letter with this very shallow

364
00:29:15.440 --> 00:29:21.359
mid section again is consistent with what
we were seeing happen in the Fairfield Letters,

365
00:29:21.400 --> 00:29:26.079
again written by the same person.
We know that again the far reaching

366
00:29:26.279 --> 00:29:32.119
right hand right arm of the W
itself, but again when we go through

367
00:29:32.640 --> 00:29:36.680
the Channel nine newsletters all happen to
be far more angular. But we do

368
00:29:36.759 --> 00:29:40.880
see that at some point he slipped
up and started to do that more rounded

369
00:29:41.000 --> 00:29:45.480
version that we are used to seeing
and moving into the red Phantom letter,

370
00:29:45.880 --> 00:29:51.319
that one having the far reaching arm. Again very consistent with what we've been

371
00:29:51.359 --> 00:29:53.680
talking about. So we have the
shallow mid section, far reaching arm,

372
00:29:55.079 --> 00:29:59.160
and again written by the Zodiac,
so we do anticipate to see those similarities.

373
00:30:00.039 --> 00:30:04.720
I think that again here this particular
movement is very similar to what the

374
00:30:04.799 --> 00:30:11.039
Zodiac did in in one of the
WS, and that we saw that Jack

375
00:30:11.079 --> 00:30:14.720
did in the WS as well.
So that movement of the very short left

376
00:30:14.920 --> 00:30:19.359
arm up into the mid section with
the far reaching, heavily curved right section,

377
00:30:19.480 --> 00:30:26.480
and it's also leaning again to the
right. The Oakland County Child murder

378
00:30:26.839 --> 00:30:30.759
ws. Again, I'm not finding
any differences with these. Again, you

379
00:30:30.839 --> 00:30:33.400
guys, they're very consistent with the
disguise of the Fairfield letters. If you

380
00:30:33.440 --> 00:30:38.319
look at these ws here you can
see that that's consistent. The final W

381
00:30:38.720 --> 00:30:42.480
has not only the angular left side, but the rounded right side that we've

382
00:30:42.519 --> 00:30:48.839
been talking about. Herb Kane had
kind of a mix between both the angular

383
00:30:49.000 --> 00:30:52.559
and the rounded. But again we
can cross reference those back and forth and

384
00:30:52.599 --> 00:30:56.000
say, yes, indeed that was
written by the Zodiac based on the fact

385
00:30:56.039 --> 00:31:00.079
that we had two styles used,
and those two styles are very consistent with

386
00:31:00.240 --> 00:31:06.279
other known sources and samples of writing
in the Atlanta, Georgia. We had

387
00:31:06.799 --> 00:31:11.000
the angular version, we have the
rounded version. We have where the midsection

388
00:31:11.119 --> 00:31:14.119
rises all the way to the top
from the left to the right, which

389
00:31:14.200 --> 00:31:18.880
is again consistent with other WS that
we've talked about, such as in occ

390
00:31:19.079 --> 00:31:22.319
k or any of the other ones
where you see that the disguise was to

391
00:31:22.400 --> 00:31:29.559
lift that midsection straight up to the
level of the left and right arm.

392
00:31:29.640 --> 00:31:32.839
The sacramental ones are a little bit
harder to see. They're a little bit

393
00:31:32.839 --> 00:31:37.359
more muddier, but we can definitely
make out left side is a V shape,

394
00:31:37.440 --> 00:31:40.880
right side is a curvature. And
then of course we had some other

395
00:31:40.920 --> 00:31:48.240
consistencies with other known WS throughout.
Scorpion did use both. This one has

396
00:31:48.319 --> 00:31:52.240
a V shape on the first a
curvature on the right. He did use

397
00:31:52.319 --> 00:32:00.000
the copybook ws, which I felt
were consistent with the attempt to disguise,

398
00:32:00.119 --> 00:32:06.000
obviously the writing into something a little
more perfect, and we see that up

399
00:32:06.039 --> 00:32:09.480
here in Elizabeth Short. Let's see
where else we found these guys. I

400
00:32:09.519 --> 00:32:13.680
think these are the lowercase ones,
so they are a bit different. These

401
00:32:13.720 --> 00:32:17.519
attempt to be a little more perfect, but we can see the other ws

402
00:32:17.599 --> 00:32:23.319
throughout, some rounded, some angular, And again the appearance very similar between

403
00:32:23.720 --> 00:32:30.240
this wide left and right arm is
very similar to what we're seeing going on

404
00:32:30.359 --> 00:32:34.440
in the Herb Kane letters in that
Jovian A Ramsey. There we go with

405
00:32:34.519 --> 00:32:40.440
that shaky ninety year old writing again. One of the things I noted here

406
00:32:40.519 --> 00:32:46.400
was again the very very low middle
zone, the very shortened mid section.

407
00:32:46.559 --> 00:32:52.200
Sometimes it's not even apparent, it's
not even there. But the idea here

408
00:32:52.200 --> 00:32:55.759
obviously is to reduce that mid section
for whatever reason. And as we look

409
00:32:55.759 --> 00:33:00.200
at Jackson tends to have a rather
tall one, it almost meets up with

410
00:33:00.200 --> 00:33:04.559
the left and right arm on nearly
every single one. So reducing it down

411
00:33:04.599 --> 00:33:08.400
into something shallow as a disguise is
probably where somebody would go with that if

412
00:33:08.400 --> 00:33:13.279
they were trying to make it look
unlike something like what Jack does up here.

413
00:33:14.000 --> 00:33:16.720
When I moved into Vuenovic again,
we found that same type of construction

414
00:33:16.839 --> 00:33:22.359
with the very small middle zone,
the very long right and left arms.

415
00:33:22.160 --> 00:33:27.079
As we went through, it looks
like there was almost a switch up where

416
00:33:27.400 --> 00:33:32.000
now the first hump is rounded the
second one is angular, although we do

417
00:33:32.119 --> 00:33:37.079
have two here that are completely agular, and we can see once again where

418
00:33:37.200 --> 00:33:40.920
that switches back and forth between them. But then we did find one final

419
00:33:42.000 --> 00:33:45.599
one down here that had more of
an angular left side and the rounded right

420
00:33:45.640 --> 00:33:52.319
side that we've been talking about getting
into the Anthrax letters, we find again

421
00:33:52.400 --> 00:33:55.480
some more of these more perfect style
where the mid section is brought all the

422
00:33:55.480 --> 00:34:00.640
way up to match along the length
of the arms, which I found that

423
00:34:00.640 --> 00:34:05.200
that was kind of consistent with some
of these others that we saw over here

424
00:34:05.240 --> 00:34:08.199
in dB Cooper in the Albany,
New York is pretty much the way he

425
00:34:08.199 --> 00:34:13.360
attempted to do that by bringing that
mid section all the way up to match

426
00:34:13.400 --> 00:34:17.000
the level of the left and right
arms. And the tom void ws we

427
00:34:17.159 --> 00:34:22.719
had they are very similar in appearance
to Jack's w's. This entire row of

428
00:34:22.760 --> 00:34:29.239
them, all of them are very
consistent with the shape, the height of

429
00:34:29.280 --> 00:34:31.960
the mid section, the right arm
that is lifted, the lean to the

430
00:34:32.039 --> 00:34:37.039
right, and then of course we
had some taller ones with the flalene right

431
00:34:37.199 --> 00:34:43.880
arm that is consistent with other ws
that are found within this presentation. And

432
00:34:43.920 --> 00:34:47.000
then we did talk about once again
the finale letters. So the finale letter

433
00:34:47.079 --> 00:34:53.280
with these copybook ws where the mid
section rises all the way atop to the

434
00:34:53.360 --> 00:34:58.079
left and right arm again, that
is definitely consistent with what we've seen going

435
00:34:58.119 --> 00:35:01.599
on over here in Anthrax and that
W that we talked about in John Benny

436
00:35:01.679 --> 00:35:06.920
Ramsey. Where are we at seven
thirty five? We're not doing bad?

437
00:35:10.119 --> 00:35:15.239
Right? What's that we're going fast? Today? I was hoping. I

438
00:35:15.280 --> 00:35:19.960
was hoping that we'd get through.
Hopefully we'll see we have X, Y

439
00:35:20.000 --> 00:35:22.599
and Z. Now why is a
pretty big slide. But the xes and

440
00:35:22.719 --> 00:35:25.960
zs, as you know, aren't
used a lot in writing, so those

441
00:35:27.480 --> 00:35:30.280
are going to move by really quickly. So the X, obviously we have

442
00:35:30.320 --> 00:35:35.559
two straight lines that make an X. And what could be told from this

443
00:35:35.639 --> 00:35:42.320
as far as an identification factor is
basically I mapped out the slants of the

444
00:35:42.960 --> 00:35:50.000
crossbars that make that X and obviously
the width between the top portion of what

445
00:35:50.039 --> 00:35:52.400
I will call the arms, the
width of the bottom portions that I would

446
00:35:52.400 --> 00:35:58.000
call the legs, and the size
of the left or right leg in connection

447
00:35:58.079 --> 00:36:01.679
to one another. So when I
went to Jack's I found that in many

448
00:36:01.719 --> 00:36:09.280
cases weird in my cursor go there, I found that he had a right

449
00:36:09.360 --> 00:36:13.920
leg that was shorter than the left
leg, and that kept popping up very

450
00:36:13.960 --> 00:36:21.760
consistent with these particular xes. It
looks as though, while this one appears

451
00:36:21.760 --> 00:36:24.119
shorter on the left hand side,
if I was to put a line underneath

452
00:36:24.159 --> 00:36:28.360
that, it actually is kind of
reaching it about the same level as the

453
00:36:28.440 --> 00:36:32.079
right leg, so he can do
flush where the left is at the same

454
00:36:32.719 --> 00:36:37.000
height, but typically speaking, the
right tends to be a little bit shorter.

455
00:36:37.159 --> 00:36:42.719
When I climbed into the Elizabeth's short
writings again, I found that same

456
00:36:42.760 --> 00:36:45.159
attribute. The left leg was longer
than the right leg and the right leg

457
00:36:45.239 --> 00:36:52.119
was lifted above the baseline, and
that happens several times in the Elizabeth short

458
00:36:52.400 --> 00:36:58.480
xes. I also mapped out the
slant of the I can't call them right

459
00:36:58.599 --> 00:37:02.800
or left, but you can see
the straight line that slants to the right.

460
00:37:04.079 --> 00:37:07.800
The actual slant and the levelness of
that is consistent. So I mapped

461
00:37:07.800 --> 00:37:12.159
out these two here with Jack,
and I laid it across one on Oswald

462
00:37:12.320 --> 00:37:16.280
very consistent, one on the Channel
nine newsletter, very consistent, and noting

463
00:37:16.360 --> 00:37:22.679
that in these particular x's that I
left that I did that the straight line

464
00:37:22.679 --> 00:37:25.360
that slants to the right is longer
than the straight line that slants to the

465
00:37:25.440 --> 00:37:30.519
left, and we can see that
that leg again is lifted there. The

466
00:37:30.639 --> 00:37:35.239
leg again in Channel nine is lifted
there. So in Oswald and in the

467
00:37:35.360 --> 00:37:38.000
Channel nine news letter, we had
not only the same slant of these two

468
00:37:38.039 --> 00:37:43.960
crossbars, but we had basically the
same attributes going on, with one side

469
00:37:43.960 --> 00:37:49.960
being shorter than the other, and
then that initial bar that is slanted to

470
00:37:49.960 --> 00:37:52.639
the right happens to be much longer
than the one that slants to left,

471
00:37:52.960 --> 00:37:59.199
and that was consistent throughout all three. Also focusing on the fact that the

472
00:37:59.679 --> 00:38:06.960
wit between the arms of the V
of the X is thinner at the top

473
00:38:07.039 --> 00:38:09.199
than and wider at the bottom.
So that was some of the things that

474
00:38:09.239 --> 00:38:15.159
I picked up and pointed out here
we had the arms that were thinner space

475
00:38:15.280 --> 00:38:19.880
between those two and wider at the
bottom. That happened in several of them,

476
00:38:20.000 --> 00:38:25.280
such as the scorpion letters and and
in the let's see the finale letter

477
00:38:25.480 --> 00:38:29.719
is kind of more perfect, with
the exception of that one right there,

478
00:38:30.079 --> 00:38:34.519
but we can see that perfection that
is attempted to criss cross them at a

479
00:38:34.519 --> 00:38:40.079
perfect level so that it almost looks
like an X mark that one would put

480
00:38:40.079 --> 00:38:45.920
inside of a box. And we
can see it the perfect xes or attempts

481
00:38:45.960 --> 00:38:51.840
to the skies correct correct, right, yeah, because we would expect to

482
00:38:51.880 --> 00:38:54.239
see something more like this. And
then of course we do have some where

483
00:38:54.280 --> 00:38:59.000
this bar, this bar that slants
to the right for Jack, is actually

484
00:38:59.039 --> 00:39:02.440
curved, and I found lots of
curvatures on that right slant bar in several

485
00:39:02.480 --> 00:39:06.679
of these as well, so I
notated them right here. We can see

486
00:39:06.679 --> 00:39:09.320
it happening in tom voids. We
can see it happening in the zodiac killers

487
00:39:10.239 --> 00:39:15.320
right there in the Fairfield letter right
there from the zodiacs. So again,

488
00:39:15.360 --> 00:39:19.000
we did have some consistencies with the
xes. It wasn't as if one was

489
00:39:19.360 --> 00:39:23.320
starkly different, or say that he
made the left bar longer than the right

490
00:39:23.360 --> 00:39:27.559
bar. That is not something that
I'm seeing in here. And it is

491
00:39:27.599 --> 00:39:32.880
always just as Jack does it basically
we can also see between the Fairfield letter.

492
00:39:32.960 --> 00:39:37.760
This particular X is so thin you
almost can't decipher the legs and the

493
00:39:37.360 --> 00:39:40.400
arms from it. But look at
that in the album the letter we see

494
00:39:40.400 --> 00:39:45.920
pretty much a very similar trait there
where the legs on the bottom are very

495
00:39:45.079 --> 00:39:50.280
very close together. I'll be at
the top is a little bit more spaced

496
00:39:50.320 --> 00:39:54.519
out. Let's see that's the dear
draftboard letter X. Again, it kind

497
00:39:54.519 --> 00:40:00.480
of reminds me of that closed up
like one of those accordion type coffee cup

498
00:40:00.480 --> 00:40:06.199
holders from back in the day,
Nolan, you remember those things. So

499
00:40:06.360 --> 00:40:09.920
as if they close that X up
and cross and brought those bars probably more

500
00:40:09.960 --> 00:40:15.039
close together from the top and the
bottom, well not a lot more that

501
00:40:15.159 --> 00:40:19.199
we could say they're on the x's
and that will bring us into the ys,

502
00:40:19.320 --> 00:40:24.639
which I noted on Jack's wise that
he has an extremely long right stem

503
00:40:24.719 --> 00:40:30.679
stroke with the tail of the Y, and he has a very very short

504
00:40:30.039 --> 00:40:37.440
left hand arm, and sometimes that
left hand arm is not attached actually to

505
00:40:37.519 --> 00:40:40.679
his Y, so we see a
space where it doesn't actually connect. We

506
00:40:40.719 --> 00:40:45.679
also have this extremely funky looking little
one. And I talk about the funky

507
00:40:45.719 --> 00:40:50.639
little one because that's some of the
disguised ones that we find, we do

508
00:40:50.719 --> 00:40:55.360
see that he has a curvature,
a slight curvature to the right stem of

509
00:40:55.400 --> 00:41:00.480
the Y, and we see that
in several of them. Here's another one

510
00:41:00.519 --> 00:41:04.920
that is not connected actually, so
we have three wise that are not connect

511
00:41:04.960 --> 00:41:07.840
where the arm is not actually connected
to the right stem. Now, when

512
00:41:07.840 --> 00:41:12.599
I got into the lipstick killing case, I actually found what I called those

513
00:41:12.599 --> 00:41:15.599
funky wise that we just talked about
right there. So this one here is

514
00:41:15.760 --> 00:41:22.320
very consistent with what we found in
the lipstick killing case. We found overexaggerated

515
00:41:22.400 --> 00:41:28.719
why stems, and then we also
found this curved version. So as we

516
00:41:28.840 --> 00:41:32.719
know it is typical for Jack to
actually make his y in two separate strokes,

517
00:41:32.800 --> 00:41:37.880
this one is made in one single
stroke, using almost the U shape

518
00:41:37.960 --> 00:41:42.480
for the top of the Y,
and then of course the extended tail of

519
00:41:42.519 --> 00:41:46.000
that why comes down. Now Jack
actually can do this all in one stroke.

520
00:41:46.039 --> 00:41:51.159
We see it here. Only this
one looks more angular than rounded.

521
00:41:51.840 --> 00:41:55.519
We didn't see anything rounded in Jack's
writing, so a rounded Y would be

522
00:41:55.559 --> 00:41:59.920
a go too. And we're going
to show you all of those different variation

523
00:42:00.719 --> 00:42:04.719
a round and why, but how
they're consistent with one another. So when

524
00:42:04.719 --> 00:42:07.159
I look at the Lipstick Killer,
I dropped down to the dB Cooper here

525
00:42:07.159 --> 00:42:13.000
again not playing with it. It
just it manifested itself pretty much in the

526
00:42:13.039 --> 00:42:15.840
same exact way. We have an
overextended tail just like we saw in the

527
00:42:15.880 --> 00:42:20.760
Lipstick Killing case, and we have
that rounded U shape form, which is

528
00:42:20.880 --> 00:42:25.599
very consistent with the form we see
and Lipstick Killer. Another disguise that is

529
00:42:25.639 --> 00:42:30.440
attempted throughout is what I called the
short why, where there's almost no tail

530
00:42:30.519 --> 00:42:34.360
whatsoever, So it makes it look
or appear almost more like a V rather

531
00:42:34.440 --> 00:42:37.639
than why. We're going to see
a lot of those as a disguise through

532
00:42:37.639 --> 00:42:40.559
it. So this rounded version with
a very or a super long tail or

533
00:42:40.599 --> 00:42:46.800
a very short angular why is what
we're looking at. So in the French

534
00:42:46.960 --> 00:42:51.599
the only one that I could really
notate here was the consistency between that and

535
00:42:51.639 --> 00:42:54.079
the dear draft board, and that
is because they made the heads separate from

536
00:42:54.119 --> 00:42:59.480
the tail. So we have a
V. The V is drawn first and

537
00:42:59.519 --> 00:43:02.320
then the tail, the extended length
of the tail is added on. We

538
00:43:02.360 --> 00:43:07.239
can see that that is actually something
that is being done in the dear draft

539
00:43:07.280 --> 00:43:12.280
board letters. So with that being
said, that is a similarity between the

540
00:43:12.320 --> 00:43:15.440
attempted disguise where we're going to make
the head before we make the tail,

541
00:43:15.239 --> 00:43:20.360
and not to mention, just like
we'd just discussed the other form of the

542
00:43:20.400 --> 00:43:23.760
why, that is actually very consistent
with lipstick. We do have some fanciful

543
00:43:23.800 --> 00:43:29.119
wise that are going on around here
as well. Here's another one actually I

544
00:43:29.159 --> 00:43:31.760
found that was very consistent with Jack's
writing. So I've circled that twice.

545
00:43:31.840 --> 00:43:36.320
Not only is it consistent with Jacks, but it is consistent with lipstick.

546
00:43:36.920 --> 00:43:39.679
So it's got a red circle and
a blue circle. Some of these more

547
00:43:39.719 --> 00:43:44.679
fanciful ones we are going to take
for granted that he absolutely is manipulating his

548
00:43:44.800 --> 00:43:47.559
handwriting. But the big bubbly letters, if we all look back to the

549
00:43:49.519 --> 00:43:54.199
Sherry Joe Bates letters where we had
big bubbly writing, it is still consistent

550
00:43:54.239 --> 00:44:01.039
within the realm of this serial killer. So there Mary letters again are ys

551
00:44:01.079 --> 00:44:06.400
that are created with a V shape
and then the stem is put on it

552
00:44:06.480 --> 00:44:09.719
at the bottom. These are the
more shorter versions of the letter y,

553
00:44:09.840 --> 00:44:15.800
because clearly we can see that there's
an attempt to use long tails and the

554
00:44:15.880 --> 00:44:20.400
curb warewolf. I did actually once
again find a why that was very consistent

555
00:44:20.480 --> 00:44:24.800
with Jack's, very consistent with the
lipstick Killers. And then a short we

556
00:44:24.880 --> 00:44:31.960
got about five minutes left and then
again that very short why shut that off?

557
00:44:32.320 --> 00:44:37.519
That very short why that we were
talking about up here that almost has

558
00:44:37.519 --> 00:44:42.440
no stem, and that is consistent
also with the Oswald. Now, this

559
00:44:42.519 --> 00:44:46.960
curvature of this right arm right here
is definitely we see that Jack also curves

560
00:44:47.119 --> 00:44:51.760
that I'm sorry, right arm.
The left arm is curved. Now this

561
00:44:51.800 --> 00:44:57.239
one is pretty much flailed wide open, so the pictorial view of it is

562
00:44:57.320 --> 00:45:00.760
not as similar as one would think. But we do have a curvature in

563
00:45:00.760 --> 00:45:02.880
the back stem. We have the
shorter left arm, and we do have

564
00:45:02.920 --> 00:45:07.079
a curvature in it. In the
Sherry Joe Bates, we also saw the

565
00:45:07.239 --> 00:45:14.840
use of the U shaped head of
the y that is rounded with the stem,

566
00:45:14.960 --> 00:45:20.159
and that again is very consistent with
the Lipstick Killer. Wise, very

567
00:45:20.199 --> 00:45:27.400
consistent with the dear draftboard wise Zodiac
Killer. Moving into that here again is

568
00:45:27.440 --> 00:45:31.519
that very short why so that was
extremely consistent once again with the appearance of

569
00:45:31.599 --> 00:45:38.039
disguise that happened in Elizabeth Shorts writing
to the very elongated stem of the y

570
00:45:38.239 --> 00:45:43.159
where the arm is very small and
it is a separate stroke. So as

571
00:45:43.159 --> 00:45:45.800
we go through here, you'll start
to see the Zodiac wise or very very

572
00:45:45.800 --> 00:45:52.079
consistent with Jack, including the non
attachment of that left arm to the stem.

573
00:45:52.599 --> 00:45:55.360
So as we go through, even
the slant of these wise and the

574
00:45:55.400 --> 00:46:00.159
direction in which they lay are consistent. We do have some have the curvature

575
00:46:00.239 --> 00:46:04.599
to the right, which tells me
that we're on the right track because we

576
00:46:04.639 --> 00:46:10.360
are seeing the natural curvature that is
happening in Jack's handwriting. Fairfield letters had

577
00:46:10.480 --> 00:46:15.280
both the short y with a short
stem also this very funky y. Once

578
00:46:15.280 --> 00:46:19.599
again, like I'd said, that
is lipstick killer, that is Jack.

579
00:46:20.280 --> 00:46:24.239
We find that all over the place
Kern. The head of that is found

580
00:46:24.239 --> 00:46:29.599
in the dear draft Board letters.
Again, the slant of these ys are

581
00:46:29.719 --> 00:46:32.519
very consistent, and we do know
that Fairfield letters were written by the Zodiac,

582
00:46:32.639 --> 00:46:36.960
So this is just another style that
he uses that we can count on

583
00:46:37.039 --> 00:46:40.840
and cross reference with the rest of
the letters. Again, DC Freeway Phantom,

584
00:46:42.119 --> 00:46:45.840
we have a very interesting construction.
But what I found was that construction

585
00:46:45.920 --> 00:46:51.000
was extremely consistent with Oswald, where
we had the straight line of the stem

586
00:46:51.039 --> 00:46:55.679
and we had that curved arm that
is attached by a secondary stroke. But

587
00:46:55.760 --> 00:47:00.920
then we see that he actually moves
into some of these shape versions once again,

588
00:47:01.119 --> 00:47:07.239
so whether or not this is part
of the disguise, we see that

589
00:47:07.280 --> 00:47:09.920
he's still attempting to disguise in different
ways. And in fact, I should

590
00:47:09.920 --> 00:47:14.320
have circled this one right here because
it has again that very short stem,

591
00:47:14.800 --> 00:47:17.960
so that one is consistent with the
Zodiac Killer and any other short stem WHY

592
00:47:19.000 --> 00:47:25.360
that we see Elizabeth short or otherwise. DBI Cooper also had that very wonky

593
00:47:25.480 --> 00:47:30.960
looking why that has been found so
far several times. The head of the

594
00:47:31.280 --> 00:47:37.880
very tiny little WHY with the long
curve in the tail again is kind of

595
00:47:37.920 --> 00:47:40.039
consistent with what we were seeing going
on in the dear draft board, where

596
00:47:40.039 --> 00:47:44.119
we had the tiny little top heads, but then the very long tails.

597
00:47:44.719 --> 00:47:49.800
Also, dear Draftboard used what I
call the short WHY with a very short

598
00:47:49.840 --> 00:47:52.159
tail, so we see that that
is happening more than once, and again

599
00:47:52.239 --> 00:47:57.079
you can some of these might even
have more consistency with others. I just

600
00:47:57.119 --> 00:48:02.280
didn't circle them all. We do
see the WHY in the dB Cooper that

601
00:48:02.519 --> 00:48:07.360
is the top portion that is made
separately from the stem on the bottom,

602
00:48:07.360 --> 00:48:12.360
which is definitely consistent with the deer
draft board again, that short stem y,

603
00:48:14.239 --> 00:48:19.159
the Albany letter again two stroke wise
that are made the arms that are

604
00:48:19.159 --> 00:48:23.159
not touching the stem. The SLA
also had that very funky why that we

605
00:48:23.239 --> 00:48:29.960
talked about up there in the Lipstick
Killer, and Jack's well, we've got

606
00:48:30.000 --> 00:48:32.119
one minute no One. That pretty
much sums it up. I thought we

607
00:48:32.199 --> 00:48:35.880
might make it to the Z.
We got really close, you guys.

608
00:48:36.079 --> 00:48:38.599
We will finish off the letter Why, the letter Z, and then the

609
00:48:38.599 --> 00:48:45.119
punctuation next week and hopefully be back
into the communications of the Zodiac Killer himself

610
00:48:45.159 --> 00:48:47.599
and what Jack is up to at
that time. Is there anything you'd like

611
00:48:47.639 --> 00:48:52.719
to add Mullan Nope, awesome.
Well, I hope you have a wonderful

612
00:48:52.760 --> 00:48:59.159
week and weekend and we will see
you next Friday. It's graduation party for

613
00:48:59.239 --> 00:49:05.039
my cousins, daughter and Baker.
Still that's right, food, Oh,

614
00:49:05.119 --> 00:49:08.000
so jealous, so jealous. It
is graduation week. That's right. Everybody's

615
00:49:08.039 --> 00:49:10.880
gonna be graduating and there's gonna be
a whole lot of stuff going on.

616
00:49:13.519 --> 00:49:16.559
Will everybody take care and happy graduation
to anybody who's graduating. You guys,

617
00:49:16.719 --> 00:49:21.559
have a wonderful weekend and we'll see
you next week, I know