Handwriting Compilation t, U, V, W, and maybe X

We are going to take our time to discuss the handwriting characteristics of Jack W. Tarrance, Jr. as it compares to the Zodiac Killer and other communications discussed in my podcast. We will cover all2 the letters of the alphabet from A-Z and a-z...
We are going to take our time to discuss the handwriting characteristics of Jack W. Tarrance, Jr. as it compares to the Zodiac Killer and other communications discussed in my podcast. We will cover all2 the letters of the alphabet from A-Z and a-z along with punctuation and numbers. Over the next several weeks I will continue to show the identification of Jack with the next letters t, U, V, W, and maybe X.
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This program is designed to provide general
information with regards to the subject matters covered.
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This information is given with the understanding
that neither the hosts, guests,
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sponsors, or station are engaged in
rendering any specific and personal medical, financial,
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legal counseling, professional service, or
any advice. You should seek the
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services of competent professionals before applying or
trying any suggested ideas. Good Morning,
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True Seekers and true crime junkies.
Welcome back to another episode of Hit the
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Road, Jack Finding the Zodiac.
Nanette Bartow here along with Nolan del Campo.
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We're going to invite him in as
part of today's show. Good Morning
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Nolan. We basically just kind of
touched or brief for a second there on
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something called The Family. It's a
new docuseries on Netflix that I just started
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to watch last night. I haven't
really gripped exactly everything that it's about,
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but basically they likened it to a
religious mafia, and I've always kind of
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had this thought that religion was kind
of corporatized, or at least it was
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used to control the masses, and
in this documentary, the way they are
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even beginning it, it is what
they used to control. I asked you
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a little bit about it. I
know you haven't seen it yet, but
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if anybody is interested in something like
this, it involves presidents, involves politicians.
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It's on Netflix. I don't know
how many episodes there are to it
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at this point, but it is
headed by an investigative journalist who is actually
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inducted into this particular the family,
as they call it. But it does
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that sound like something that you'd be
interested in? Oh? Definitely. I
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saw them flash faces like Bill Clinton, the Bushes, Trump, all of
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these politicians that I've always thought always
were working together on how they could make
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that much more money off of us
as a whole. I was kind of
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rather more interested in the fact that
they described it as a religious mafia.
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Yeah. I'm interested to see it
me too. I can't wait to finish
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off some of these episodes. I'll
probably binge it this weekend, So everybody
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check out The Family on Netflix.
All right, So I'm going to head
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right on into the presentation and if
we could go full screen on that.
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So this I found actually this weekend
I thought was rather interesting or not this
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weekend? This week in my homework
studies for graphology, which is the behavioral
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trading, the psychological behavioral trading of
an individual's handwriting at the time that the
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writing is written. And what I
wanted to bring out because I had often
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long thought about these ds that the
Zodiac and Jack contain in their writing.
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So we have Jack up here at
the top, and we have the Zodiac
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here at the bottom, and we
can see how the stems of these d's
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are leaned so far right word that
they look like they were going to fall
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over, or what we like to
call the crossing of the lines. And
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if you can imagine the crossing of
the lines, and the brain is kind
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of like going a little cuckoo.
Anyways, in my studies, this is
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what it said, so I thought
it was interesting to let everybody kind of
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check this out themselves. But this
particular pink box is actually what is out
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of my studies. And they're talking
about the D that this arrow is pointing
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to right here, because of course
we see this far right rightward slant on
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the D stem. So it says, notice the small D. Can you
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see how it's off balance? It
slants so far to the right that it
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looks as if it's top lean over. This is referred to as the maniacal
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D. But do not repeat,
do not instantly conclude that you're always dealing
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with a madman or raving lunatic when
you see this. Now, I know
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that when we look at the Zodiac's
handwriting and we see this, we know
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we're dealing with a madman or a
lunatic. I just did not know that
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we would see characteristics of that in
the handwriting until I got into graphology.
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So it says, as you already
know, marked rightward slant is a characteristic
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of excitable individuals who overreact. When
right slant is excessive, we can expect
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uncontrolled, irresponsible behavior and lack of
resistance to both internal and external stresses.
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Therefore, any letter which slants more
to the right than the rest of the
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writing indicates a temperamental nature prone to
impulsive or erratic actions. The more extremely
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inclination, the more, and the
more frequently such letters appear, the more
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likely it is that the writer will
exhibit antisocial behavior. It is considered more
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serious when this is. This off
balance indication appears in the D because this
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letter represents that what a writer is
rather than what a writer does. So,
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if I could bring Nolan back on
real quick, hus, Nolan,
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done, No, I'm here.
Oh I can't see your little picture on
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the screen there. Okay, So
as much as we know about the zodiac,
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I had mapped out some of Jack's
stuff up underneath here as well,
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and I found that the letter D
is self represented, so basically, like
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it says here, it's an indicator
of what you are rather than what you
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do. In fact, I just
put it out to many of my friends
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to give me a handwriting sample so
that I can analyze it for them.
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I did a little bit of analyzation
for one at one point, and I
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may go back and do even more
as I know my lessons. But is
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that something you think you'd be interested
in letting me do, Nolan? Sure,
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I tend to print, and it's
kind of proper printing. But the
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faster I write gets right, you
get a little less concerned for um form
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and read a legibility, I suppose, unless somebody else has to read it
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right. Great. So um,
as I was noticing up here, I
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could, I, just like I
said, mapped out some of Jack's d's
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at the top, and I mapped
the zodiac's um z d's at the bottom
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and found that the slants of these
d's in the stems were almost identical in
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many of the cases. And of
course I just plopped a few down from
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the handwriting UM presentation that we've been
doing. So it's not like I looked
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to particularly find ones that matched those
particular slants, but we can see that
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exists in both. And then UM, I actually found one where the bowl
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of the D is actually streamlined right
in with that that stem, so it
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doesn't stick out or protrude letting you
know that that is a letter D.
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And I found that that was consistent
with what Jack was doing as well.
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So that was rather interesting, and
I look forward to doing your handwriting and
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maybe we can even do it on
the show. Okay, all right,
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let's go. They're more upright.
They do have that little loop, right,
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and the and the loop is more
of an indication of sensitivity to criticism.
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The larger the loop, the more
bubbly it is, the more sensitive
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you are. So many of us
have loops, and it doesn't necessarily mean
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that we are super sensitive or self
or or or self concerned about what others
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think. It could be in different
areas, and we could be sensitive to
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think criticism about herself about our work, about things we do, so um
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it really, once you wrap that
sensitivity up with the rest of the analyzation,
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then you get a better understanding,
maybe of what that sensitivity is about.
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But the letter D is um the
letter T and the letter D.
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I will want to look at it
like the letter T is the representative representation
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of how you act, whereas the
the letter D is a representation of you
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and yourself. And that brings us
to the letter TS where we're at right
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now. So we'll take this full
screen, and of course we start at
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the top with Jack as we have
done so far. We show that I
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call it the tao tea or the
it has the curve or hook at the
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bottom of it, just like the
copy book tea in print. We can
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see the different variations. We have
low cross T bars, we have concaved
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T bars. Sometimes we have him
crossing very close to the very top with
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just a small portion of the stem
of the tea sticking out. As we
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go down, we start to see
some of these long teas where the crossbar
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is very low at the bottom,
but we still kind of see that little
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curvature that occurs. It almost occurs
in almost all of his teas. We
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do have a few of them that
don't have it, but for the most
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part he tends to have that curvature
or that kick up at the bottom of
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the team. We also have what
I refer to as the plus T because
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he is equally crossed. The crossbar
across that T about the same length as
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the stem and midway points, so
it makes it look more like a plus
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sign than it does a letter T
if it was set separate and by itself.
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I did pull out some of his
double teas. I noted in in
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most of his double teas he actually
crosses the tea separately, though we do
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have one here where he crossed completely
across with one stroke. But for the
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most part we see this lowered T
bar on the left hand side and a
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littlettle bit higher, And we had
a right tea that was a little bit
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smaller and kind of lifted up off
the ground like we've talked about many of
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jacks in the Zodiac's handwriting, where
they have that uplift like we talked about
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on the letter H to the capital
T last week. I did pull out
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some cursive teas and then we had
kind of this funky looped T. But
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I just want I brought this one
out and you'll find the single single stroke
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teas where he has crossed. He
came down the stem and then in one
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full stroke moved back upwards and then
crossed over with the crossbar. And there
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were several of those in the Atlanta
Georgia, which is similar to the movement
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that we see here, that movement
down back up, and then of course
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the cross of the actual crossbar.
So making note of a lowercase T.
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In the Lipstick Killers, we had
this tented version and this indicates stubbornness,
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and we have this crossbar that is
actually jetting downward in a decline, which
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is notable for being domineering. Now
what I noted here is that in Jack's
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we have also this tented T,
which is exactly what the Lipstick Killer did.
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We have this up kick off the
bottom right hand side, which again
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we see and now the crossbar is
a little more leveled out, but it
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does have a slight decline on it
in Jack, so we had a very
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similar formation in the aspect that it
was tented, it has the uptick and
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it is definitely leaning rightward. We
have talked a lot about the combination jts
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or these Jack Terrence indicators as Terry
B. Likes to put out there,
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and I do look at these more
like a monogram, I guess if you
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will. And in Elizabeth's Short,
we saw that continuation of the Tao te
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We saw the tea that was crossed
very close to the top with a little
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bit of the stem sticking out,
and then of course this one, it
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has a backwards loop. We do
note that the Zodiac Killer liked to write
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some of his letters backwards, and
we've seen it in dB Cooper and a
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few other cases, which is just
another connection factor. But as we get
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over here into the tea at the
end of Elizabeth's short, we're going to
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find more of these and these high
crossed teas that we talked about in Elizabeth
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Short. As we go through the
presentation and the current where we'll Killer,
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I saw that many of the ts
were pretty much just on par with the
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crossbar. Again, this one is
very similar to the one up there in
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Elizabeth Short. We see that the
concaved crossbar is also a part of this,
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and we also saw this backwards JT, so the backwards Tao te that
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really acts as a j and a
T at the same time, when I
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got over into Oswald, again,
no shock. We have a T there
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that is absolutely identical in slant,
in crossing, in size to the Elizabeth
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Short murders, and that's in the
letter to the Dallas PD for the JFK
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case Sherry Joe Bates, we also
found the same style T once again all
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the way through to what I referred
to as that very long tea. So
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here's where we start to see the
very long stem with a very short crossbar
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that is at a very lowered position
in consideration to where cross should be on
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the tea. And we see the
slight curvature coming out of the bottom of
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this particular tea in Sherry Joe Bates, which is just matching, you know,
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pretty much dead on what Jack is
doing. When I got over into
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the deer draft board, we found
more consistencies. Although the first two teas
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that I pulled out they had the
appearance of being straight. But again this
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version of the straight with no curvature
is definitely happening in Jack's handwriting. We
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can see up here, and we
do see these tiny little crossbars that Jack
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does that we're seeing in the Deer
Draft board, and then that eventually moves
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its way into those Tao teas again. And when I map this particular Tao
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tea out from the draft board,
we can see that that is identical to
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Jack's. This one has a slight
curvature to the right, but we see
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that little exit stroke at the bottom
of that tea. We see the lowered
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crossbar that is very small all in
short in comparison to some of these other
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teas that we're going to look at, but again just right in line with
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Sherry Joe Bates as well. The
Zodiac Killers teas we've as we go through
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a lot of them look like plus
signs to me. We also had the
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concave crossbars that we can see that
are occurring here that we talked about up
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in Jack's. We also had the
Tao teas, again very similar. We
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see that that one is very close
in relation to the one right here in
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Jack's handwriting. And then I did
map out that slant again for everybody.
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So this blue bar you see up
here in Jack's I just copied and pasted
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it next to the rest of these
teas so that you could see that the
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slant was in line. Since that
hard right slant is something that's very consistent
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with the Zodiac and Jack. I
wanted to compare that to the rest of
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the communications. Moving on through,
we do find again some consistency with the
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double tas number one. They are
crossed separately. They are not a single
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stroke across, which is consistent with
Jack's The right tea is smaller than the
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left tea and it is jumps up
from the baseline, just a tad there,
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so it is raised up, just
like we see in Jack's handwriting.
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When I got into the Fairfield letters
again we had the plus sign that we
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were talking about. We had the
teas that were crossed very close to the
196
00:15:24.039 --> 00:15:26.960
top with a little tiny bit of
the stem sticking out, again consistent with
197
00:15:28.000 --> 00:15:33.200
what we saw in Jack's writing right
there. Sorry, I should have marked
198
00:15:33.240 --> 00:15:39.799
it at a rate that is a
consistent disguise that we are going to see.
199
00:15:39.799 --> 00:15:43.559
In fact, the Fairfield letters were
extremely consistent with things like the Channel
200
00:15:43.639 --> 00:15:48.080
nine newsletter, but we already know
that that comes from from the Zodiac and
201
00:15:48.240 --> 00:15:52.639
the Herb Kane also had that very
close crossing to the top with just a
202
00:15:52.720 --> 00:15:56.559
small portion of the tip of the
tea sticking out. We saw it again
203
00:15:56.639 --> 00:16:02.320
over here in the second Herb Kane
letter. As I went down the line,
204
00:16:02.600 --> 00:16:10.200
let's see where else we found these
guys. Oh, all right,
205
00:16:10.240 --> 00:16:15.159
So it is a consistency obviously that
we are seeing between the zodiac communications,
206
00:16:15.240 --> 00:16:18.080
and if I see more of them
as we go through, I'll point those
207
00:16:18.120 --> 00:16:22.600
out again. We found the double
cross T, so this is two tas
208
00:16:22.679 --> 00:16:26.120
that are together and they are crossed
separately. We have the right, the
209
00:16:26.200 --> 00:16:30.440
left one that is larger than the
right one, and the right one in
210
00:16:30.480 --> 00:16:34.399
this particular case looks more like a
plus sign. Again in the DC Freeway
211
00:16:34.440 --> 00:16:40.320
phantom, I found consistency with the
letter T that is very consistent with Elizabeth
212
00:16:40.360 --> 00:16:44.799
Shortz and some of these others that
we talked about in the position and placement
213
00:16:44.840 --> 00:16:49.200
of the crossbar, the actual length
of the stem, and that right word
214
00:16:49.279 --> 00:16:56.559
slant is also consistent dB Cooper.
We had a couple of different ts that
215
00:16:56.600 --> 00:17:00.519
we looked at. Most of the
stuff was capital letters and that, but
216
00:17:00.559 --> 00:17:04.079
these were some very interesting ones.
We talked about that crossing from the left
217
00:17:04.079 --> 00:17:07.559
hand side that doesn't protrude to the
right, but we can see as we
218
00:17:07.599 --> 00:17:11.440
get down there, he's starting to
come out to the right. Right here
219
00:17:11.279 --> 00:17:15.480
I did mark these down because this
crossing to the left and not coming over
220
00:17:15.519 --> 00:17:18.880
the right side of the stem was
consistent with a tea that I found in
221
00:17:18.920 --> 00:17:23.559
Buenovic and also teas that I found
in Bruce Ivans. So in the Bruce
222
00:17:23.599 --> 00:17:27.920
Ivans, the difference here is we
have that very long stem that he is
223
00:17:29.000 --> 00:17:32.640
noted for in Sherry, Joe Bates
and some of these others. We see
224
00:17:32.640 --> 00:17:37.000
it in the Albany Letter. Let's
see here. I found it in the
225
00:17:37.039 --> 00:17:41.240
Citizen Letter, and that's the length
of that stem in comparison to the crossbar
226
00:17:41.319 --> 00:17:47.799
itself. Back here we do find
the double ts again. This one,
227
00:17:47.920 --> 00:17:51.359
I'm not really quite sure due to
the image whether or not this is broken
228
00:17:51.400 --> 00:17:53.440
here. It does look like that's
a possibility, but I can't state that
229
00:17:53.519 --> 00:17:59.960
ver sure, although we do know
that Jack Cannon will cross with a single
230
00:18:00.240 --> 00:18:04.200
crossing across that the two teas,
and we also note that the slant and
231
00:18:04.279 --> 00:18:10.559
the lean of that particular set of
teas is consistent as well with Jack's.
232
00:18:11.000 --> 00:18:15.119
When I got into the Albany Letters, we found not only the Tao te
233
00:18:15.160 --> 00:18:19.720
So again we have that very very
tall stem, and we have the very
234
00:18:19.759 --> 00:18:23.759
low crossbar, and we actually have
that kick out at the bottom, which
235
00:18:23.799 --> 00:18:29.559
was consistent I mean with these curvatures
that movement to the right as he exits
236
00:18:29.599 --> 00:18:38.880
the letter, tum finding again the
concaved crossbar that is consistent with Jack and
237
00:18:40.559 --> 00:18:45.920
the Zodiac. Getting into SLA,
we found more of the plus style tas.
238
00:18:45.079 --> 00:18:49.720
We found again the formation of the
tea that is consistent with Elizabeth Short
239
00:18:49.839 --> 00:18:53.480
and is consistent with Sherry Joe Bates. Well, it's actually this particular t
240
00:18:53.640 --> 00:18:59.799
is consistent with just about every single
communication that we're going to talk about.
241
00:19:00.440 --> 00:19:06.440
And let's see here more plus sizes. When we got into the Citizen Letter,
242
00:19:06.519 --> 00:19:10.799
I found there was a cross between
both the tall, very tall stem
243
00:19:10.880 --> 00:19:15.920
teas and the plus style teas,
with of course the slant being consistent as
244
00:19:15.960 --> 00:19:21.400
well. Channel nine Newsletter. This
is where we saw more of those teas
245
00:19:21.440 --> 00:19:23.799
that are crossed closer to the top
with just a tiny bit of the stem
246
00:19:23.920 --> 00:19:29.119
sticking out. And again the plus
style tea that we found so far,
247
00:19:30.599 --> 00:19:34.440
Riverside was extremely consistent with the long
teas. Because this riverside, yes,
248
00:19:34.480 --> 00:19:40.279
this is the red Phantom letter.
I misnamed that the Riverside, but I
249
00:19:40.400 --> 00:19:47.279
tried to change that. We see
this again this looped t so this is
250
00:19:47.359 --> 00:19:52.240
the first time that we see the
tea where the crossbar is actually connected off
251
00:19:52.240 --> 00:19:56.759
of the stem and in one full
stroke, almost like the star formation which
252
00:19:56.799 --> 00:20:03.480
we then end up seeing in the
Atlanta Georgia Child killer letters as well in
253
00:20:03.519 --> 00:20:07.160
the Oakland County Child Murders, I
found a couple of the teas. Of
254
00:20:07.200 --> 00:20:11.880
course we know the Tao tea is
definitely a jack trait, and then we
255
00:20:11.960 --> 00:20:15.240
see that at the end here we
have one of those teas again that are
256
00:20:15.279 --> 00:20:18.640
crossed so close to the top,
but only a tiny bit of that stem.
257
00:20:18.680 --> 00:20:23.039
Protrudes also found that particular style in
Urb Kane, so it doesn't shock
258
00:20:23.119 --> 00:20:29.559
me that there's this cross reference in
the actual formation of these letters from one
259
00:20:29.599 --> 00:20:33.200
to the next, since these are
so close in timeframe. That continued on
260
00:20:33.240 --> 00:20:38.599
through the second Herb Kane in the
Guests and we found these plus teas again,
261
00:20:38.720 --> 00:20:41.480
so aside from the ones that are
crossed very close to the top,
262
00:20:41.839 --> 00:20:48.440
we have that plus sign. The
Atlanta Child, Atlanta Child or Atlanta Georgia
263
00:20:48.519 --> 00:20:52.400
Child murders carried the same style tea
that we saw occurring up in Elizabeth Short
264
00:20:52.440 --> 00:20:59.079
and some of these others moving over
into the second letter with the Atlanta Georgia,
265
00:20:59.119 --> 00:21:03.440
which I actual actually just skipped onto
a new line of research yesterday.
266
00:21:03.480 --> 00:21:10.000
Nolan is that the Atlanta the March
nineteen eighty one Atlanta, Georgia child murder
267
00:21:10.160 --> 00:21:14.519
letter indicates something about you rebels,
don't get it kind of thing. He's
268
00:21:14.559 --> 00:21:18.160
trying to get them to understand that
he is the same person that was killing
269
00:21:18.200 --> 00:21:22.000
women in San Francisco, but now
he's in Atlantic killing children. And when
270
00:21:22.039 --> 00:21:23.680
he mentioned the word rebels, I
about kind of fell out of my chair
271
00:21:23.720 --> 00:21:27.599
for a second, because I do
have a picture in Jack's belongings of a
272
00:21:27.640 --> 00:21:33.799
ball cap from the University Nevada Las
Vegas, which has their mascot, which
273
00:21:33.839 --> 00:21:42.960
is the Rebels. Are you familiar
with that? Yes too, University Wassissippies
274
00:21:44.039 --> 00:21:48.440
Rebels as well. Really yeah,
Well the letters on the ball cap is
275
00:21:48.519 --> 00:21:52.000
UNLV to my take, and and
I'm going to show that here, not
276
00:21:52.079 --> 00:21:56.079
to not I feel like at inside
this letter as well, he says that
277
00:21:56.119 --> 00:22:00.119
he's left clues by all the bodies. So this notion that I've been talking
278
00:22:00.160 --> 00:22:04.000
about, in the possibility that the
watch found at the Sherry Joe Bates crime
279
00:22:04.039 --> 00:22:10.640
scene actually came from the Swindles murder
because he was not only military and the
280
00:22:10.680 --> 00:22:15.160
watch was obtained, as they believe, on a military base that he was
281
00:22:15.200 --> 00:22:18.279
also a painter and the watch had
paint flex on it, so they likened
282
00:22:18.400 --> 00:22:22.440
that watch, I think as you
remember to the suspect, right, yep.
283
00:22:22.880 --> 00:22:30.480
And in California, yes, yes, that was down in the lower
284
00:22:30.759 --> 00:22:37.319
or south, but southern California basically
yeah, south of LA Yeah, yeah,
285
00:22:37.359 --> 00:22:41.039
I I noted. And it wasn't
until I started doing this podcast that
286
00:22:41.119 --> 00:22:45.839
I realized that there was any connection
between those two and that that was a
287
00:22:45.880 --> 00:22:51.519
plausibility after watching something on TV that
indicated the Zodiac was leading clues, which
288
00:22:51.559 --> 00:22:55.039
was something I hadn't been aware of
for most of the years that I've been
289
00:22:55.079 --> 00:22:57.839
involved with this. But if that's
how they were making that connection, and
290
00:22:57.920 --> 00:23:03.079
that's why law enforcement was actually making
the connection and believed way back when that
291
00:23:03.160 --> 00:23:07.039
all of these murders were connected to
each other, then that's something they never
292
00:23:07.079 --> 00:23:11.759
relayed to the public, and it
may be something we never actually hear out
293
00:23:11.759 --> 00:23:15.960
loud from the police because that might
be the one thing that they can keep
294
00:23:15.039 --> 00:23:21.319
close to the hip that would allow
them to weed out copycats, but the
295
00:23:21.359 --> 00:23:26.480
fact that there is a possibility that
this watch from the Swindles was then placed
296
00:23:26.519 --> 00:23:30.960
at the crime scene of Sherry Joe
Bates as a connection to those murders.
297
00:23:30.960 --> 00:23:33.799
We have now a communication that's indicating
this is exactly what he was doing.
298
00:23:34.160 --> 00:23:38.400
So what he meant by certain clues
we may never actually know, but I
299
00:23:38.519 --> 00:23:44.319
know that the communications tie themselves one
into the next based on some of these
300
00:23:44.319 --> 00:23:48.240
clues, and when he said the
Rebels, I have a picture in this
301
00:23:48.279 --> 00:23:51.599
picture is in Jack's belongings. It's
of a ball cap on the ground and
302
00:23:51.640 --> 00:23:53.759
it has the UNLV and I believe
what I can make out to be the
303
00:23:53.799 --> 00:24:00.519
rebels insignia or their little mascot that
is on the side of the hot um.
304
00:24:00.559 --> 00:24:03.960
I thought it was extremely interesting to
see if I couldn't locate a murder,
305
00:24:03.000 --> 00:24:07.279
because it looks like there's a giant
blood spot next to this ball cap.
306
00:24:07.640 --> 00:24:11.200
Either way, I digress. Um
new stuff that we'll be talking about
307
00:24:11.240 --> 00:24:17.440
when when we get to that point. Um occ k Orb Kane Atlanta,
308
00:24:17.519 --> 00:24:21.039
Georgia. So Atlanta, Georgia.
We had again some of the same styles.
309
00:24:21.039 --> 00:24:25.279
We had the same slant um,
same formation, some with low crossbars,
310
00:24:25.319 --> 00:24:30.160
some with high crossbars. Uh.
Sacramento basically followed the same the same
311
00:24:30.400 --> 00:24:37.400
um rhyme and rhythm we see again. Was that Okay, we see again
312
00:24:37.440 --> 00:24:42.039
those plus signs um right on into
the Christmas card again something attributed to the
313
00:24:42.160 --> 00:24:48.559
Zodiac killer Scorpion letter t's were absolutely
right on par um as far as the
314
00:24:48.640 --> 00:24:53.960
height of the crossbar or the level
of the crossbar in uh consideration to the
315
00:24:55.000 --> 00:24:59.880
height of the actual stem. Very
consistent. Again um, we also saw
316
00:25:00.160 --> 00:25:03.599
the larger and so this one is
marked here because the double tea again crossed
317
00:25:03.680 --> 00:25:07.160
separately from one another. We have
the left side that is longer, the
318
00:25:07.240 --> 00:25:11.720
right side is shorter, and the
right wind tends to hop up a little
319
00:25:11.799 --> 00:25:15.759
higher than that left tea. Again, I'm not sure if this was just
320
00:25:15.799 --> 00:25:18.960
an image that occurred because of the
bleed through of the ink, but it
321
00:25:19.039 --> 00:25:23.079
also looks like this one potentially has
that cross because it looks like the pen
322
00:25:23.279 --> 00:25:26.960
was not picked up and that that
was one full stroke like we were looking
323
00:25:27.000 --> 00:25:30.759
at back here and at the Atlanta
Georgia Killer. But we also see that
324
00:25:30.839 --> 00:25:36.799
the slant is very similar and on
par with what we're looking at. Moving
325
00:25:36.880 --> 00:25:40.920
right on into the John Benet Ramsey
not too. We see again we have
326
00:25:41.039 --> 00:25:44.880
teas that do not have the towel
part of them, but we have many
327
00:25:44.960 --> 00:25:49.880
teas that do have the curvature at
the bottom of the tea and the consistency
328
00:25:49.920 --> 00:25:56.079
again in size placement of the crossbar
and lean, the right word lean that
329
00:25:56.160 --> 00:26:00.920
we saw so far in the wind
of it. Again we have that backwards
330
00:26:02.000 --> 00:26:10.319
JT. So we can now what's
that? Say that again? All the
331
00:26:10.400 --> 00:26:18.279
John Benee letters to me say that
again you cut out? They always look
332
00:26:18.440 --> 00:26:26.559
like they're the John Bani letters.
Right, yeah, No, there's many
333
00:26:26.599 --> 00:26:34.480
many similarities between these and again,
Um, are you there, Nolan,
334
00:26:36.880 --> 00:26:40.799
Yeah, I'm here, Okay,
I'm here. I don't know what's going
335
00:26:40.839 --> 00:26:44.880
on. I know it's kind of
like you're cutting in and out or something.
336
00:26:45.920 --> 00:26:49.960
You're going in and out that I
wonder. Is everything good on your
337
00:26:51.079 --> 00:26:56.400
end? One? Is it sounding? Hit me up with the guys.
338
00:27:00.079 --> 00:27:04.440
Um, I can't hear one.
No, no, no, it's not
339
00:27:04.519 --> 00:27:08.400
good. Or no it's not happening. His internet is cutting in and out.
340
00:27:08.440 --> 00:27:12.759
So it's yours, Nolan. I'm
good, I'm good. We can
341
00:27:12.799 --> 00:27:15.200
hear you if I have to,
if I have to reask you I'll reask
342
00:27:15.279 --> 00:27:22.000
you, so anyways, in the
Villinovich we do now perfect We do see
343
00:27:22.000 --> 00:27:26.599
this um JT inclusion, which is
the Jack Terrence monogram, very consistent with
344
00:27:26.640 --> 00:27:30.880
what we see up here in the
Lipstick Killer, including at the point in
345
00:27:30.880 --> 00:27:34.359
which he crosses that T very close
to the top and we just see a
346
00:27:34.359 --> 00:27:41.200
small section of the stem sticking out
the top, So another consistency there um.
347
00:27:41.200 --> 00:27:45.799
Moving into the T H now I
found this in Obviously we're going to
348
00:27:45.839 --> 00:27:49.160
see that hitting the backside of the
H. We talked about this with the
349
00:27:49.200 --> 00:27:56.559
capital letter T, but we also
talked about the consistency between the shape of
350
00:27:56.559 --> 00:28:00.440
that H and that very elongated and
short tomp that comes off of it,
351
00:28:00.759 --> 00:28:04.079
and onto the verus ivens. Again
we have the very tall ts that are
352
00:28:04.079 --> 00:28:07.240
crossed low. We do have a
couple that are crossed about more midway.
353
00:28:07.359 --> 00:28:14.400
But again, there's just so many
striking similarities with these letters. And then
354
00:28:14.440 --> 00:28:17.880
when I got into we skipped right
over Tom void. Not only did we
355
00:28:17.880 --> 00:28:21.559
see the plus signs, we also
saw the tao te with the little kick
356
00:28:21.640 --> 00:28:26.000
up at the bottom, very very
similar, if not completely consistent with Jack's
357
00:28:26.000 --> 00:28:30.519
writing. And the slant again is
the same, and here we find again
358
00:28:30.640 --> 00:28:34.240
that letter T that we found up
in so many other of these communications.
359
00:28:37.160 --> 00:28:42.039
Let's move on to the letter U. In Jack's we found for the most
360
00:28:42.039 --> 00:28:45.359
part, the only time he used
a stem was on the capital use.
361
00:28:45.960 --> 00:28:52.240
So we found most of his two
just look like the horseshoe you, and
362
00:28:52.400 --> 00:28:56.119
some of them tend to be a
little angular and almost like a V in
363
00:28:56.200 --> 00:29:02.039
shape versus the round rounded U that
we would expect to see. But as
364
00:29:02.079 --> 00:29:06.440
we moved through we also saw the
square you, which we'll talk about I
365
00:29:06.480 --> 00:29:08.319
want to say, is over here. We saw it used in the dB
366
00:29:08.440 --> 00:29:17.279
Cooper case. Again, moving into
the Lipstick killers, the only you that
367
00:29:17.319 --> 00:29:25.640
I had there was one that was
extremely angular, likely the attempt to disguise
368
00:29:25.880 --> 00:29:30.599
that letter you. But we did
see that in Elizabeth Short we had both
369
00:29:30.640 --> 00:29:33.920
the horseshoe version and this more angular
version that we were talking about, just
370
00:29:34.079 --> 00:29:41.759
dead on what Jack is doing.
Over here in the French Lipstick Murder,
371
00:29:41.759 --> 00:29:45.839
where he wrote on the back of
the individual with lipstick, we saw two
372
00:29:45.880 --> 00:29:48.960
types of you. One is the
horseshoe and then one is this more V
373
00:29:48.119 --> 00:29:52.759
shaped that we're discussing again. This
one is very consistent with the one we
374
00:29:52.799 --> 00:29:57.519
see right here in Jack's handwriting.
When I get into the Sorry Mary,
375
00:29:57.640 --> 00:30:03.039
that was all capital letter, and
we see the capital letter you is very
376
00:30:03.079 --> 00:30:07.319
consistent with Jack's writing in that this
lower bar. So if we look at
377
00:30:07.319 --> 00:30:12.440
this U here, we can see
that the entrance stroke is actually shorter than
378
00:30:12.759 --> 00:30:17.880
the right side of that you and
stem as it comes down, and we
379
00:30:18.000 --> 00:30:22.279
kind of see almost a slight curvature
to that image there, which is what
380
00:30:22.319 --> 00:30:26.640
we're seeing here with Jack's and this
you pops up many many times in these
381
00:30:26.680 --> 00:30:30.759
further communications as we go down the
line I found it over here in Oswald,
382
00:30:33.039 --> 00:30:38.880
those are extremely similar in shape in
the Kern. In the Kurn,
383
00:30:38.920 --> 00:30:42.519
which is the real Estate Murder,
we found both again the horseshoe you and
384
00:30:42.640 --> 00:30:48.519
this more v shape you, which
is very consistent with Jack. The Sherry
385
00:30:48.599 --> 00:30:53.559
Joe baits you. Also, I
mapped out the slant of this particular letter
386
00:30:53.599 --> 00:30:56.559
as well, and we can see
that the slants in every single one of
387
00:30:56.599 --> 00:31:02.359
these communications are consistent with what we're
looking at in Jack's handwriting and in the
388
00:31:02.480 --> 00:31:08.680
zodiacs. The Sherry Joe BAITU was
extremely consistent with the citizen letter us,
389
00:31:08.799 --> 00:31:15.720
where the stem is actually separated from
the U itself. We do see in
390
00:31:15.920 --> 00:31:22.920
the uppercase US here. This one
in particular has the same shape of the
391
00:31:22.119 --> 00:31:27.160
actual round of the bottom portion of
the U that we're seeing up here in
392
00:31:27.359 --> 00:31:37.319
Jack's very angular Let's see where we
are the dear draft board letter. We
393
00:31:37.440 --> 00:31:41.119
found the two different types of US. So while he attempted to show us
394
00:31:41.119 --> 00:31:47.160
this horse shoe shaped U and the
angular versions that look more like vs,
395
00:31:47.599 --> 00:31:52.200
he also carried on with a U
with an actual stem, and we can
396
00:31:52.240 --> 00:31:55.559
see that stem sticking out. We've
talked about this one. I believe in
397
00:31:55.599 --> 00:32:00.799
the letter A as well. This
extension of the exit stroke is extremely consistent
398
00:32:00.880 --> 00:32:06.440
with those letters, and we do
see that that is happening in things like
399
00:32:06.480 --> 00:32:10.119
the Citizen letter. So this is
why I state that these have similarities and
400
00:32:10.200 --> 00:32:15.519
consistencies with each other, because this
attempt to disguise using this exit stroke is
401
00:32:15.559 --> 00:32:22.480
exactly what we see in some of
these other communications. Let's see in the
402
00:32:22.519 --> 00:32:24.799
fit well, in the zodiac we
had the V shapes, which are all
403
00:32:24.839 --> 00:32:30.279
consistent with Jack's. We have again
the attempt to use a stem on the
404
00:32:30.359 --> 00:32:35.799
letter U. This consistency again right
here in the zodiac is consistent with the
405
00:32:35.880 --> 00:32:39.599
letters that come out of the Citizen
letter. And then we do see more
406
00:32:39.680 --> 00:32:46.759
of these ones with this angular portion
of the round well it should be rounded,
407
00:32:46.759 --> 00:32:52.119
but this more angular portion of the
bottom of the U the Fairfield letters
408
00:32:52.160 --> 00:32:57.079
again in his disguise here, and
he attempts to make them look almost shaky,
409
00:32:57.119 --> 00:33:00.119
if you will. But we do
see again that stem that is sticking
410
00:33:00.160 --> 00:33:04.400
out that we were discussing, and
it sticks out and portrudes downwards below what
411
00:33:04.480 --> 00:33:07.880
would be the baseline. If there
was a line drawn completely underneath this,
412
00:33:07.240 --> 00:33:10.960
that stem would stick out the bottom. And we see that happening not only
413
00:33:12.000 --> 00:33:15.920
in the Fairfield letters, but the
Citizen, in the herb Cane letters,
414
00:33:15.119 --> 00:33:22.519
in the Sacramento letter. Let's see
where else did we Mark Green. I
415
00:33:22.559 --> 00:33:24.519
did try to add some more collars
here. Does it make it a little
416
00:33:24.559 --> 00:33:30.440
easier to find the ones I'm talking
about now Nolan by colors instead of them
417
00:33:30.440 --> 00:33:36.359
all just being red and blue.
Yes, At least it will make it
418
00:33:36.400 --> 00:33:39.279
easier for people to see which ones
I found to be similar in shape and
419
00:33:39.359 --> 00:33:43.440
size. The Atlanta, Georgia Killer
did the same thing. Tried to do
420
00:33:43.480 --> 00:33:46.240
this little looped exit stroke off of
some of them. Of course, we
421
00:33:46.240 --> 00:33:49.920
don't see them on all of them, and we see some are just you
422
00:33:49.920 --> 00:33:54.039
know, malformed, because he's really
attempting to disguise his handwriting at that point.
423
00:33:54.880 --> 00:33:58.680
Either way. As you go through
here, we then see some more
424
00:33:58.799 --> 00:34:02.599
capital used. The US definitely have
this angular shape at the bottom of the
425
00:34:02.880 --> 00:34:08.639
round where the entrance stroke comes down
to the baseline and then moves its way
426
00:34:08.679 --> 00:34:15.000
back up, consistent with Jack's handwriting. So where the slants, we again
427
00:34:15.079 --> 00:34:17.719
see some of these US where the
left side is shorter than the right side,
428
00:34:19.119 --> 00:34:22.599
and then we find that consistency,
like I was saying, that led
429
00:34:22.800 --> 00:34:27.440
the document examiners to conclude that many
of the letters, such as the Citizen
430
00:34:27.519 --> 00:34:31.000
Letter, was written by the Zodiac
Killer. The Albany, New York,
431
00:34:31.199 --> 00:34:36.480
has more of these I want to
call them the horseshoe, but we see
432
00:34:36.519 --> 00:34:38.920
that they are a little more angular
at the bottom, just like what we're
433
00:34:39.000 --> 00:34:43.679
looking at up here, and they
also have these curvatures that kind of bring
434
00:34:43.760 --> 00:34:46.840
the two stems in closer to each
other at the top, which is very
435
00:34:46.840 --> 00:34:52.239
consistent with what Jack is doing.
The SLA Now, this one is a
436
00:34:52.239 --> 00:34:54.679
bad image, but if you kind
of just follow my cursor here here is
437
00:34:54.800 --> 00:34:59.360
the round of the U, and
then we see this tail that comes straight
438
00:34:59.360 --> 00:35:02.039
out to the right hand side here, And that's what we were just talking
439
00:35:02.079 --> 00:35:06.480
about, is that extended tale that
we saw back here in the dear draft
440
00:35:06.480 --> 00:35:12.440
board. So there's a definite consistency
between SLA and the dear draft Board.
441
00:35:13.320 --> 00:35:15.199
Along with the Citizen letter, we
see again this view that we were just
442
00:35:15.239 --> 00:35:21.880
talking about up here, with the
agularity at the bottom of the round the
443
00:35:22.000 --> 00:35:28.039
tails. The Channel nine newsletter also
had extremely similar use to Jack's. I
444
00:35:28.079 --> 00:35:31.440
would say that they are closest to
this particular you right here, even with
445
00:35:31.480 --> 00:35:37.760
the little flip out of the stem
that occurs down here at the bottom,
446
00:35:37.760 --> 00:35:39.880
and then that moves into not only
the ones that he attempts to use a
447
00:35:39.920 --> 00:35:43.960
stem, but in the end,
obviously as his hand starts to tire,
448
00:35:44.039 --> 00:35:49.079
he starts using his stereotypical U,
which does not include a stem. And
449
00:35:49.119 --> 00:35:52.239
that's kind of what I tell everybody
about when somebody's attempting to disguise, they
450
00:35:52.280 --> 00:35:58.480
begin with one fashion and then end
in what is probably likely to be more
451
00:35:58.559 --> 00:36:00.920
truer to their normal hand and writing. And we can see that not only
452
00:36:00.960 --> 00:36:06.039
do these match the slants, but
they also match the shape of Jack's use
453
00:36:06.880 --> 00:36:09.920
and that includes the red phantom letter. Again, we have these horseshoe ones
454
00:36:09.920 --> 00:36:15.039
that get closer at the top to
one another, kind of almost like they're
455
00:36:15.039 --> 00:36:17.079
going to close up like an oh. We see that the left side is
456
00:36:17.079 --> 00:36:22.639
shorter than the right side, and
that continues on into the Oakland County child
457
00:36:22.719 --> 00:36:25.079
murders. So we get to see
more of these us that are very consistent
458
00:36:25.119 --> 00:36:32.079
with Jack's, including this more angular
portion or it's just it happens on this
459
00:36:32.199 --> 00:36:37.599
right hand side right here, and
we can see that that's what's occurring up
460
00:36:37.639 --> 00:36:43.440
here in Jack's. Is this more
angular or squared off portion? We did
461
00:36:43.599 --> 00:36:47.559
cover the herb cane as far as
the stem that comes down slant again is
462
00:36:47.840 --> 00:36:52.960
similar the US that are cross referencing
this one with that shorter side. This
463
00:36:53.079 --> 00:36:59.920
ue is definitely more consistent with the
one we see up here in Jack's Atlanta,
464
00:37:00.079 --> 00:37:02.719
Georgia. We again found two different
types of US. Of course,
465
00:37:02.719 --> 00:37:07.840
it starts out as the horse you
you albeit made to look shaky as if
466
00:37:07.880 --> 00:37:12.280
an elderly person was writing it,
but we know that the elderly wasn't out
467
00:37:12.280 --> 00:37:16.119
there killing so and then back into
these particular US that we found over here
468
00:37:16.159 --> 00:37:21.199
in the citizen letter. So this
you write over here on the side is
469
00:37:21.239 --> 00:37:24.039
extremely consistent with the US that we're
finding in the citizen letter. So no
470
00:37:24.119 --> 00:37:29.119
reason to believe that as this person
is indicating that he used to be the
471
00:37:29.159 --> 00:37:34.400
person who killed in San Francisco,
there's no reason for me to disbelieve that
472
00:37:34.440 --> 00:37:37.679
this is not the truth. Because
it is appearing though, that the handwriting
473
00:37:37.800 --> 00:37:42.679
is working out to match just fine
with all of the other communications, including
474
00:37:42.679 --> 00:37:46.679
the Zodiac Killers Atlanta, Georgia.
We pointed out again that use of that
475
00:37:47.000 --> 00:37:52.840
extended exit stroke and similarities with the
dear Draftboard letters. So again I find
476
00:37:52.840 --> 00:37:59.599
that these are consistent. Sacramento letter
again a little bit muddy because of the
477
00:37:59.679 --> 00:38:02.800
quality of it, but we can
see those consistencies with the tail that sticks
478
00:38:02.800 --> 00:38:07.719
down and goes below the baseline.
We also have some that have just the
479
00:38:07.800 --> 00:38:12.760
little kick out, and we also
have at the very beginning it looks like
480
00:38:12.800 --> 00:38:15.239
one of those horseshoe used without a
stem at all. So we flip flops
481
00:38:15.239 --> 00:38:22.480
back and forth between these two versions. The scorpion letter you. We did
482
00:38:22.519 --> 00:38:25.519
find the horseshoe version was pretty consistent
with what was being done. But I
483
00:38:25.559 --> 00:38:30.239
do find that these are very consistent
with the horseshoe shapes that we have looked
484
00:38:30.239 --> 00:38:35.519
at so far, including like Elizabeth
Short. Just the style of it.
485
00:38:35.639 --> 00:38:37.440
Left side is shorter than the right
side, and we can see that that's
486
00:38:37.480 --> 00:38:43.159
consistent with what's going on there.
And the slant again is one and the
487
00:38:43.239 --> 00:38:47.840
same basically, and we can see
kind of the width of the actual script
488
00:38:47.880 --> 00:38:52.400
itself is similar in appearance. And
as I went down and I started to
489
00:38:52.440 --> 00:38:57.920
compare the scorpion use, they were
most consistent with the John Benet Ramsey us
490
00:38:58.000 --> 00:39:01.199
again shorter on the left side,
higher on the right side, including some
491
00:39:01.320 --> 00:39:07.079
that are actually curved more inward to
themselves that makes it look like they're closing
492
00:39:07.119 --> 00:39:13.400
themselves up again like the letter O. So consistency for sure between Scorpion and
493
00:39:13.480 --> 00:39:19.480
John Benet. The anthrax us were
kind of not a lot notable, but
494
00:39:19.519 --> 00:39:23.480
the shape is definitely similar to what
Jack has going on. And then we
495
00:39:23.559 --> 00:39:27.719
climb right on into tom Voy and
we can see that a lot of the
496
00:39:27.880 --> 00:39:31.960
use not only have that lowered left
side in comparison to the right side,
497
00:39:32.039 --> 00:39:36.840
but we can find that the shapes
of the ones with stems are consistent in
498
00:39:37.000 --> 00:39:42.440
slant, the pointing of the bottom
of that bowl to left consistent with one
499
00:39:42.440 --> 00:39:46.920
another. Again not a shocker,
as the Tom Voight letters had been identified
500
00:39:46.960 --> 00:39:52.320
by a family member as being Jack's
handwriting, and the finale letter with Tim
501
00:39:52.400 --> 00:39:57.079
Miller, we found both styles of
use. Once again, we have those
502
00:39:57.079 --> 00:40:01.519
without stems and we have those with
stems. So the Bruce ivans that was
503
00:40:01.559 --> 00:40:08.239
more consistent with the V shape of
Jack's V shaped US. So clearly as
504
00:40:08.280 --> 00:40:13.239
we go back and forth between these
us we see some definite consistencies. Is
505
00:40:13.280 --> 00:40:17.880
all of that making sense? Yes, it's interesting to note that many of
506
00:40:17.880 --> 00:40:23.159
them both have just the regular U
without the line, and but then there's
507
00:40:23.199 --> 00:40:27.440
some with the line. But then
then there are others that are very consistent
508
00:40:28.039 --> 00:40:31.079
no line, no line, no
line, or always a line right mind
509
00:40:31.119 --> 00:40:37.519
writing, it's always always a line
on the side right. Some people use
510
00:40:37.559 --> 00:40:40.000
it, some people do not.
And it's interesting to note that Jack only
511
00:40:40.159 --> 00:40:45.880
uses it in his capital use.
So if he was thinking of disguise and
512
00:40:45.000 --> 00:40:49.400
all he used with these were these
horse shaped use in his mind in his
513
00:40:49.480 --> 00:40:52.639
lowercase writing, to add that stem
would now be a difference, and that
514
00:40:52.760 --> 00:40:58.239
would that would set supposedly him apart
from this writing, if you will,
515
00:40:58.280 --> 00:41:00.400
But we do know that he's capable
of doing it, and that this is
516
00:41:00.440 --> 00:41:04.480
his preference, and the fact that
in some of these he flip flops back
517
00:41:04.519 --> 00:41:08.360
and forth between a stem and no
stem or the use like you said,
518
00:41:08.880 --> 00:41:13.840
of all stemmed, I think that
in some of these, as I pointed
519
00:41:13.880 --> 00:41:16.079
them out, there would be just, you know, one, a horseshoe
520
00:41:16.119 --> 00:41:20.360
shaped one, and then the rest
have a stem. That tells you that
521
00:41:20.400 --> 00:41:24.440
somebody's manipulating their handwriting. Otherwise he
would have stuck with the same the same
522
00:41:25.280 --> 00:41:30.199
style in a single communication unless he
was attempting to manipulate or make it look
523
00:41:30.239 --> 00:41:37.320
like he Um was writing with a
different style and then reverting naturally back to
524
00:41:37.400 --> 00:41:42.320
the ones that he was used to
using um obviously, like I was saying
525
00:41:42.400 --> 00:41:45.159
right here in the Sacramento letter,
the majority of them have a stem except
526
00:41:45.199 --> 00:41:52.599
for that first one right there,
right and then so jack stem yes,
527
00:41:52.719 --> 00:41:55.880
and those are capital used. Yeah, yeah, those are capital used.
528
00:41:57.199 --> 00:42:00.960
So Um, like I said,
in his lowercase, he did not use
529
00:42:00.960 --> 00:42:02.800
a stem. So if I was, if I was a person trying to
530
00:42:02.800 --> 00:42:07.639
disguise my handwriting, and I wrote
like this, as a horseshoe the whole
531
00:42:07.639 --> 00:42:10.599
time. I would add that stem
obviously to make it look That's the only
532
00:42:10.599 --> 00:42:15.559
way you could really make a U
look different right at a stem. So
533
00:42:15.679 --> 00:42:19.840
I think that's why we're seeing these
with stems in many of these communications,
534
00:42:19.920 --> 00:42:23.840
because we do definitely see where he
clearly when he looks like he's writing faster
535
00:42:24.000 --> 00:42:30.280
and the zodiac stuff, he's not
using a stem at all. These far
536
00:42:30.480 --> 00:42:34.760
right word ones that are written quickly
with haste do not have stems. And
537
00:42:34.840 --> 00:42:37.679
then we get into the ones that
look more perfect, such as some of
538
00:42:37.719 --> 00:42:42.639
these US that we got from.
I would believe the Stein letter, where
539
00:42:42.639 --> 00:42:45.719
he attempted to make it look more
like a conforming coffee book you, he
540
00:42:45.880 --> 00:42:53.280
uses a stem. The letter V. Interesting, I noted it was kind
541
00:42:53.320 --> 00:42:58.559
of a swap with the letter V. He has his very angular VS as
542
00:42:58.599 --> 00:43:01.800
we see here, and of course
the left side again is shorter than the
543
00:43:01.880 --> 00:43:07.199
right side, with that far reaching
an upward stroke away from the B.
544
00:43:07.719 --> 00:43:12.559
On the right side. We also
had the horse shape U, which again
545
00:43:13.559 --> 00:43:15.960
is a V. So he kind
of swaps back and forth between these two
546
00:43:16.039 --> 00:43:21.039
letters, where in the US he
makes some of them look like vs.
547
00:43:21.119 --> 00:43:22.840
And in his vs. He makes
some of them look like his US.
548
00:43:25.000 --> 00:43:30.440
The lipstick letter V that we found, not only is it shorter on the
549
00:43:30.519 --> 00:43:32.480
left side than on the right side, but I found that to be considered
550
00:43:34.000 --> 00:43:39.400
very consistent with the Atlanta, Georgia
child murder case. I found as we
551
00:43:39.440 --> 00:43:44.119
go through, we'll see it in
the dB Cooper right there, very similar
552
00:43:44.199 --> 00:43:47.800
in shape and construction, with at
the top length of the bars. Even
553
00:43:47.920 --> 00:43:54.960
this this rightward slant that we're seeing
here I noted in Jack's of course,
554
00:43:55.000 --> 00:43:59.920
again lower on the left, higher
on the right. But these were extremely
555
00:44:00.039 --> 00:44:02.960
consistent with the Sorry Mary letter vs. So as we go through this one,
556
00:44:04.000 --> 00:44:07.360
I didn't map out different colors on
it, but it was such a
557
00:44:07.360 --> 00:44:12.320
short slide, I figured it's relatively
easy to cross reference those that are similar
558
00:44:12.360 --> 00:44:15.840
in appearance. Now in the Kern, I found three that we're actually angular
559
00:44:15.960 --> 00:44:19.440
like a V is supposed to be, and then I found one that is
560
00:44:19.559 --> 00:44:27.400
more of that rounded horseshoe style.
Sherry Joe Bates definitely had horseshoe style vs,
561
00:44:27.519 --> 00:44:35.039
which are consistent with Jack's use.
The short vs that we found over
562
00:44:35.199 --> 00:44:39.320
here, one Leon's right word,
one Leon's left word, again assigned somebody's
563
00:44:39.320 --> 00:44:44.760
attempting to manipulate their handwriting, but
still very consistent in shape and size with
564
00:44:45.599 --> 00:44:49.679
the Zodiac Killers. Here again is
that V. Now, of course these
565
00:44:49.719 --> 00:44:52.159
are slanting a little bit to the
left, but this is the V that
566
00:44:52.280 --> 00:44:59.239
I noted over here in Sorry Mary
and in the Lipstick Killer, that it's
567
00:44:59.320 --> 00:45:05.519
very consistent in shape, form,
slant things of that nature. Um,
568
00:45:05.639 --> 00:45:09.079
the Zodiac Killer V actually was extremely
similar this one in particular, and I
569
00:45:09.079 --> 00:45:13.360
don't know if it was the type
of utensil that they the authors were using,
570
00:45:13.719 --> 00:45:15.920
but we see this thickening that's happening
on the right side here, Nolan,
571
00:45:16.599 --> 00:45:21.559
Yeah, I found that to be
consistent with what was going on over
572
00:45:21.599 --> 00:45:23.760
here in the Sherry Joe Bates.
We can see that the left side is
573
00:45:23.840 --> 00:45:28.519
very thin, but somehow that utensil
when he writes up to the right,
574
00:45:29.000 --> 00:45:31.400
leaves a whole lot more ink on
the right hand side. And of course
575
00:45:31.440 --> 00:45:35.840
graphology speaks about this, but I
haven't got into the duck dish yet,
576
00:45:36.000 --> 00:45:39.199
And that's what we're talking about now, is the way the pen lays down
577
00:45:39.280 --> 00:45:45.599
the ink. But I found that
that was similar with m within the communications
578
00:45:45.639 --> 00:45:52.920
from these murders so on the zodiac
again once again. The John Bana Ramsey's
579
00:45:53.280 --> 00:46:02.199
always look like they're faked or trying
to disguise exactly, but the all are
580
00:46:02.199 --> 00:46:07.039
all weird looking. Yeah, it's
almost as if he attempted to make this
581
00:46:07.679 --> 00:46:13.159
again very shaky appearance in the letters, which is consistent with, like I
582
00:46:13.199 --> 00:46:16.840
said, the Atlanta Child Georgia I'm
Atlanta, Georgia child killer case. We
583
00:46:16.960 --> 00:46:21.440
did see a couple of the and
this may allude to the fact that he
584
00:46:21.519 --> 00:46:25.320
was using the opposite hand, that
shakiness that occurs the lack of control that
585
00:46:25.400 --> 00:46:30.760
one has by using the non dominant
hand. I'm not going to say that
586
00:46:30.760 --> 00:46:35.760
that is entirely true for these these
letters. I have not mapped that completely
587
00:46:35.840 --> 00:46:38.679
out yet, but it is a
possibility either way. I find that the
588
00:46:38.719 --> 00:46:44.199
attempt to make things look shaky occurred
in more than one of these communications.
589
00:46:45.559 --> 00:46:51.320
So Fairfield Betters I found that the
letter V here actually was extremely consistent with
590
00:46:51.400 --> 00:46:53.840
what we were seeing over here in
John Benet. So we see this attempt
591
00:46:53.920 --> 00:46:59.400
to make these curvatures. As the
V exits out to the right hand side,
592
00:46:59.440 --> 00:47:02.599
we see that that's a little bit
longer as it like sweeps. I
593
00:47:02.639 --> 00:47:07.199
guess over to the right. Let's
see if I found that one consistent with
594
00:47:08.800 --> 00:47:15.760
me oh Luinovic, that attempt to
curve that right hand side. So we
595
00:47:15.840 --> 00:47:22.920
did find some of those in the
Vuinovich case. Let's see here, dB
596
00:47:22.119 --> 00:47:25.960
Cooper, we had that V we
just spoke about. We also had an
597
00:47:27.000 --> 00:47:30.559
attempt at what would be a block
V. I guess if you will,
598
00:47:30.599 --> 00:47:32.320
because we have a straight bottom there. I did not find any of those
599
00:47:32.360 --> 00:47:37.480
in Jack's handwriting. But these little
tiny us or v's, sorry, these
600
00:47:37.559 --> 00:47:42.599
little tiny v's are very consistent with
some of the stuff out of the Zodiac
601
00:47:42.679 --> 00:47:47.760
Killer's hand so leaning to the right, heavily leaning to the right again.
602
00:47:50.079 --> 00:47:53.280
The Albany, New York. The
Albany, New York vs were again consistent
603
00:47:53.320 --> 00:47:58.000
with the Lipstick killer vs, which
were consistent with dB Cooper, consistent with
604
00:47:58.039 --> 00:48:02.239
the Atlanta, Georgia child killer.
The Citizen Letter had again these more horseshoe
605
00:48:02.280 --> 00:48:07.519
shaped vs that are not as angular, but again very consistent with that lower
606
00:48:07.599 --> 00:48:12.199
side on the left and the higher
side on the right. And then more
607
00:48:12.239 --> 00:48:16.519
of that U shape versus a V
shape. Channel nine News went back and
608
00:48:16.559 --> 00:48:21.280
forth, or actually this one these
ones did tend to be a little more
609
00:48:21.320 --> 00:48:27.239
angular, but very consistent with herb
Knes letters. Also consistent with the occk.
610
00:48:27.480 --> 00:48:31.000
We see a cross between the U
shape. We're down to a minute.
611
00:48:31.000 --> 00:48:36.360
It looks like we are not going
to finish the use today, but
612
00:48:37.400 --> 00:48:40.199
I did want to. I will
continue next week, finishing off with the
613
00:48:40.280 --> 00:48:44.400
US. It looks like we have
about one to two more weeks. Probably
614
00:48:44.480 --> 00:48:50.360
hopefully I can get through the rest
of these letters this next week and then
615
00:48:50.400 --> 00:48:52.599
move on to punctuation the following week, and then we are going to move
616
00:48:52.679 --> 00:48:59.000
right back into the zodiac cases.
Thank you Nolan for joining us again today.
617
00:48:59.159 --> 00:49:02.800
Is there anything you'd like to add? Just let the citizen VS.
618
00:49:02.960 --> 00:49:08.239
Look a lot like Jack's VS.
Right. There's so many consistencies as I
619
00:49:08.320 --> 00:49:13.840
go back and through and forth between
these that when we looked at this letter
620
00:49:13.920 --> 00:49:19.880
V here being consistent with this letter
V here again, the angularity to the
621
00:49:19.960 --> 00:49:27.199
roundedness that we're finding that are in
these letters are just amazing. So again
622
00:49:27.239 --> 00:49:30.880
we have a consistency here. We
have a I think when he tries to
623
00:49:30.920 --> 00:49:37.360
write more more as if he's disguising, he uses this strict V shape,
624
00:49:37.440 --> 00:49:40.559
but when he gets relaxed, he
goes back into that horseshoe shape that is
625
00:49:40.599 --> 00:49:44.760
more rounded. But all right,
everybody, I'm going to let you go
626
00:49:44.880 --> 00:49:47.320
have a wonderful weekend, and we'll
see you next Friday, all right.
627
00:50:04.119 --> 00:50:07.039
I felt like so loud,


















































